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Ok here is My set Ready to go of oriental music
The person who refuses to love doesn't know the first thing about God, because God is love—so you can’t know him if you don’t love.
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hackeman said
... and the last one - promise :
@Fiddlerman I see alot in oriental music and this video alot of ornaments played without even thinking about it which requires technique can you make us a tutorial how to do such ornaments and exercises to the hand to make it in such a beautiful way without thinking .
thanks
The person who refuses to love doesn't know the first thing about God, because God is love—so you can’t know him if you don’t love.
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Fiddlerman said
Funny, I was alternate concert master in this orchestra when I first moved to Sweden for 4 years and the guy who arranged this piece is the brother of a neighbor and friend of mine. They are both great composers, arrangers and musicians.
Yes, I know you have been the concertmaster of Gävle Symphony Orchestra, which made it extra fun to post this video (i.e. Symphonic Stomp of Sweden on previous page).
I was at the Stockholm Folk Festival last weekend when they together with the fiddler Görgen Antonsson performed the entire Symphonic Stomp suite for the first time in public. It was really good. Probably the first time a symphony orchestra has played at this type of festival.
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John Rafeek said
hackeman said
...@Fiddlerman I see alot in oriental music and this video alot of ornaments played without even thinking about it which requires technique can you make us a tutorial how to do such ornaments and exercises to the hand to make it in such a beautiful way without thinking .
thanks
+1
This type of ornaments are really common in Swedish folk music.
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@Fiddlerman to be more specific check the ornaments in the first video for example i picked up a short video the first one is rich of what I'm talking about if you don't have much time for the second just check the first and I don't mean glissando and portamento I mean the ornaments in the notes itself how to get that technique and feeling if you understand what I mean
The person who refuses to love doesn't know the first thing about God, because God is love—so you can’t know him if you don’t love.
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@Fiddlerman and here is another one full of the type of ornaments I'm talking about
it happens rapidly naturally after practicing techniques and exercise what are those techniques and exercises .like your casaradas video for example
and sorry for wasting your time
The person who refuses to love doesn't know the first thing about God, because God is love—so you can’t know him if you don’t love.
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I don't mean an exact movement or exact second
what i mean is how to do this mixture between those all
techniques exercises and thinking how to mix them in that way
i also notice that that mixture is very repeated in so many pieces Ornaments in that way exactly.
The person who refuses to love doesn't know the first thing about God, because God is love—so you can’t know him if you don’t love.
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@Fiddlerman
u just answered my first question "that they use a lot of dynamics and take advantage of the instruments characteristics very well. - " BTW that aint Persian .
second question is simply how they do that and mix them all and ornaments stuff either and with techniques how simply the do very very fast ornaments with there left hand ??
if you know what i mean
The person who refuses to love doesn't know the first thing about God, because God is love—so you can’t know him if you don’t love.
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@Fiddlerman
the 3 videos are oriental style
and I can't imagine turns in my brain i think i might have watched a video for you explaining this but idk which one if you can tell me i will be so grateful
thank you
The person who refuses to love doesn't know the first thing about God, because God is love—so you can’t know him if you don’t love.
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