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It's not that bad .......
The man said........it is best to know how a note should sound so that there can be an accurate judgement, or correction, as needed ( i.e. mental vs. emitted pitch ).
"Kinaesthetic", I believe is all the motor skills needed to play a violin. (My personal guess is that violin playing is 60% acrobatic)
One very respected guru and teacher has his students learn their important pieces BEFORE ever attempting the piece on a violin !! That, I think, is "audiation".
Of course, the accuracy of mental vs. emitted pitch defines important talent for a violin player ( see also FM intonation game ).
One does not have to understand any of this to play but the violin itself has rules and takes no prisoners.
When you come to a fork in the road, take it.
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