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Ive read in a few diffrent books about all the diffent kinds of weather you should avoid playing in. Such as hot, cold, humid, windy, ect (It made me wonder if the authors payed in nice inclosed boxes all the time). Basically to get to the meat of the subject what are the types of weather/tempatures you should avoid playing in?
Is it the sort of rule where if you don't want to be out in it you shouldn't ever play in it. (I read that in a book i just cant remember which one.)
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Living in Maine, your violin is probably less than saturated. High humidity for a week or so probably will have no effect that you can tell.
Besides, I don't know that a limited shot of high humidity is supposed to do bad things in contrast to very DRY conditions that are associated with cracks.
You could go for a de-humidifier but that's probably not worth it.
PS Your pegs might get stuck but that will pass.
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At last surf I found 5000 reasons not to pursue carbon fiber although I believe that, eventually, most student violins will be synthetic. They have to pay for the molds right now so prices are high.
I only hope that CF or any other "plastic" violin will have a permanent sound post (molded in) or no sound post required.

Also, to my knowledge, CF violins are being made in the UK or maybe Europe. I never saw a Chinese version but it's for sure they are working on it and will FLOOD EBay in the near future.
(Does anyone know of ANY special acoustic properties of CF that would say it competes with wood OR, is the buzz only that NASA was interested in a very high strength to weight material? I think I saw some CF sports stuff. Maybe that is a good application?)
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Oliver said:
(Does anyone know of ANY special acoustic properties of CF that would say it competes with wood OR, is the buzz only that NASA was interested in a very high strength to weight material? I think I saw some CF sports stuff. Maybe that is a good application?)
It's extremely resonant and loud, and virtually indestructible.
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