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@Ferret: Most of your intonation is ok, except at 0:07 (camped beside a bil-a-bong) - 0:22 and again at 0:53, it should be a C# but it's a bit flat, not quite a C. @ 0:35 you are trying to play a D, but again it's just a bit #, not quite to the D# but in between.
You are sawing your note's, try to put a little more feeling into this beautifull song. A few slur's would help with that and some bow emphasis.
Express your note's as you would your voice if you were singing it.
I hope I'm not being too brash, John. It's all constructive critique.
I was sitting in a bar a few year's ago, my friend was next to me, I sang, "Once a jolly Swagman, camped beside a bil-a-bong", he said, "do you know that song"?, I said, "of course, doesn't everyone" ? He just smiled and took a drink of his beer.
You've improved a lot since your first run video's. Keep it up.

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I really like the angle you got with the vid Ferret > I can really see what it is you are doing. I think it sounds good. I am only still a few months in. It really helps me when I can see such vids and read what other seasoned player comments are. Thanks for that. Hopefully I will have another vid out soon and you can help me with your comments.
"Express your note's as you would your voice if you were singing it." >> Thats one of the reasons I picked this instrument up. I think this instrument is one of the only instruments that can truly do that.

Advanced member
@Ferret/John,
Have you seen the photograph of a ferret with a "Saturday Night Special" in its paw, or similar ? I happen to use it for my ebay alias.
Getting back to your rendition of Waltzing Matilda.
Right at the very start, the tip of the little finger of your right hand is touching the bow stick - as it should. But once you start bowing your little finger curls back a bit under the palm of your hand and no longer touches the bow stick.
Keeping the tip of the little finger on the top of the bow helps to maintain a regular pressure on the string (necessary because the weight of the bow at the other end - the tip - is working against you-and-the-string more and more - due to increasing leverage - as the frog gets closer and closer to the string.)
You want constant pressure because otherwise the volume and/or timbre (?) and/or harmonics (?) of the note will change during the course of each bow stroke.

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@fiddlestix
No, not harsh at all. My A string and I never have been really good friends. Not sure why I'll post it again soon. Hopefully better. My next post will probably be 'Lilli Marlene'. I've been planing to learn it for some time but haven't got around to it. Your comments are all useful and welcome as always.
@StoneDog
I hope you post a video soon. I'd like to see how you are doing. And you are right about the violin and the voice
@Donald
Thanks for the feedback. Yes that little finger is a problem. I'm going to have to try 'superglue'And no, I've not seen that photo. Will have to do a search and have a look.
Seen it all. Done it all. Can't remember most of ..... What was I saying????








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Steve said
Congrats, John, very nicely done. I'd buy you a Bud if that were feasible.![]()
@Steve
Hi Steve. Good to hear from you again
Actually, I don't usually drink carbonated soft drink. I'm more of a Bourban Whisky kinda guy.
Seen it all. Done it all. Can't remember most of ..... What was I saying????
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