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Good job. How was the Streetjelly performance?
Opportunity is often missed because it wears suspenders and looks like hard work.











Yep, thanks guys - it's fun once you really get into it - the old repeated "two swung 8ths followed by a triplet" still troubles me at speed at the start of the B part... LOL.
SJ was fine, thank you, Georganne - met a new artist - a Scottish lass - does guitar and vocals - I caught her show later - great voice ! I had a couple of regular viewers and the occasional lurker ! SJ is always pretty quiet that time of day here ( 10am UK )
I'll try to take some time out to do the full AA BB rendition later this week - and hopefully with a "cleaner" performance. But right now - it's on to Soldiers Joy and Angelina / Angeline the / Baker ! Gotta keep things going, add stuff to the repertoire etc.... catch up with all these favorite pieces you guys play !
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)











LMAO @Jim Dunleavy - sorry - not laughing AT you of course - it's just that we "get caught out" in exactly the same places - and especially when the camera is on ! Well done ! Great accentuation.... Cool, nice work, thank you !
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)

Honorary tenured advisor

Nicely done. It's a great tune for practicing an number of different things: string crossings, triplets, swing notes and transitions from quavers to triplets and back to quavers -- as you guys call them. It's a deceptively tricky piece.
A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort. ~Herm Albright






Good job Jim. I'm really trying to work on getting over my camera "shyness". I mean really, any other time/part of my life and I am fine. But put the fiddle in my hand, turn on the video, and crash!
Opportunity is often missed because it wears suspenders and looks like hard work.











Fiddlerman said
......For a change you guys should try playing up on the long note and down on the fast one. It's actually better IMAO!!!
Well, thanks a lot man - I tried that and now I can't play it at all !!!!
That's a task for today - get my "learned, and now automatic co-ordination" between left and right hands/arms "un-learnt" - or at least "break what has become the automatic way I do it".
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)











Fiddlerman said
Sorry Bill
I didn't mean to do that.
Good luck with that Jim, hope it doesn't mess you up too.![]()
- no sweat boss, no need for "sorry" ! Been at it a few times today between other things - it's getting "sorted" - I mean to the extent that I'm managing to "break" that internal co-ordination which seems to occur once I can play the tune "in automatic mode", without actually stopping to think about the individual notes themselves. By the time I reach THAT point in playing something, basically "everything is locked and loaded" and it is difficult for me to decouple what the left hand is doing from what the bow-arm is doing..... it seems to be all coordinated and difficult to break apart... in itself, that's quite interesting really... so I thank you for the observation !!!!!
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)











@AnnyJ - tell me about it ( ear-worm ) - I hold Georganne totally responsible for this ! Grrrrrrr and LOL at the same time @Georganne - you started a fine party ! Thank you !
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)






Lol thanks. Yay, I can play it both ways. I started off learning it both ways though in case I got messed up with the up/down bows I wouldn't have to start over.
Opportunity is often missed because it wears suspenders and looks like hard work.










I tried bowing it that way and it worked fine. Maybe a bit easier, hard to tell without playing it that way a bit more (which I will). The real issue I have is that in the second theme, unless I do a bit of a shimmy with the bow part way through I end up bowing the opposite way to the way I started when I get back to the main theme again.
So actually, being able to do it both ways would be ideal.
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