Welcome to our forum. A Message To Our New and Prospective Members . Check out our Forum Rules. Lets keep this forum an enjoyable place to visit.










I personally love the Freedom Chinrest from Fiddlershop. All of my time playing violin I used the traditional Guarneri chinrest. The Freedom chinrest has a similar style without the bulk against my jaw line. I think it's important to find the right shoulder rest. I grew up using a standard Kun when I was in school. As a returning adult I purchased a collapsable Kun and I was happy with it for the last several years. When I wanted to "upgrade" I purchased a wooden shoulder rest, but when I first tried it out, it was obvious it was a mistake, so I donated it to the local school orchestra (I did this with a bow I grew out of as well and a set of strings I tried and didn't like).
For Christmas I received the Kun Seven. It did take a week or so before I realized how much I liked it, I would switch between my old Kun and the Kun Seven several times, but now the old Kun just sits on my bookshelf (it will probably get donated soon, as it still has lots of life left in it). On a side note, I have recently lost 35 lbs and my face and neck have slimmed down, so I think that is why I am enjoying the Kun Seven more. It sits a bit taller than the original Kun, and before the weight loss it was a tad too tall. (the Kun Seven also doesn't slip off of my violin!)
So my advice is to try different set ups. Go to your local violin shop and try as many shoulder rests as you can. Ask your luthier of you can try different chin rests.



Thanks @Mouse . I also think age can play a part. How my body works at 55 compared to when I was 20 also has an effect on my playing. I think with age you deal with things like arm strain, dexterity, etc. When my weight increased so did the diameter of my fingers so that came into play as well. Even things such as eye sight, and needing to be closer to the music to see it (clearly lol).
Ken

Regulars









Samuel Applebaum, has a series of books that teach everything right from the start up to playing in 5th position. These are the books I learned from, as well as scales from Wohlfhart. I dont really understand when you say there are no books, I myself have at least forty on everything from scales, etudes to double stops. And then I have another forty or so full of sheet music andIrish type tunes, such as O neils, I even just posted a link yesterday to Niel Gows scots fiddle tunes.
There are hundreds of videos on articulation, intonation, bowing exercises, phrasing reading music, on you tube..
Intonation is something that cant really be taught, its a matter of constant practice and ear training, which can take years, there are lots of different ways such as checking a note against other strings.
Vibrato can be shown and there are hundreds of different exercises for that as well, but in the end it comes down to practice, some people never learn it, and in some forms of music such as Irish jigs and reels and the like its actually frowned upon, unless of course its a lament.
I myself have only ever had 1 lesson, but I think I get by. I will never be a soloist but that isnt my aim.
By the way vibrato is an advanced technique, its not a beginner topic.
Record yourself playing very often, what you hear is not what you are playing actually sounds like, and can be quite a shock, with intonation for instance.
Cant beat a sunny day
1 Guest(s)

