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if i could only get my friends/coworkers/church members to not be afraid to even touch my violin... the kids i get (they're usually under 8) but the adults it's like my bow might as well have shards of glass and rusty razor blades on it! SMH
"Somewhere, something incredible is waiting to be known." - Sharon Begley

Regulars

I realize most folks don't have time to immerse themselves in different genres, but now-a-days it doesn't take much time to just listen to how a couple of Traditional Fiddlers on YT phrase & emphasize a particular tune. The nice thing about a video is you can catch bowing patterns.
There are also GREAT sources of trad recordings!
So, if you do sight-read 'fiddle tunes', don't stop at that! Take a moment (afterwards) - listen to how close you come to the feeling a 'Traditional Fiddler' has on a recorded version of your tune, or tune type (Irish, Scottish, Canadian, or American - Reel, Jig, Waltz, Hornpipe, etc...?). It ONLY TAKES A MOMENT to look up a tune & listen to a recording: Old Time Fiddle Tunes, Irish Tunesource, Ottawa Cape Breton Session Tunes, U of P.E.I, GFW Scottish Tunes! I listen for bowing pattern/emphasis, rhythm, phrasing, and any distinctive ornamentation.
...just be wary of A.I. generated audio - I have found it may, or may not be true to style because of the notation. I believe traditional 'fiddle tunes' were never originally intended to be sight-read... there's too much taken for granted once immersed in a genre.
IF YOU DO HAVE TIME - 'fiddle tunes' come from ALL OVER THE WORLD & can have a very rich history... where do they come from, what were they composed for, where did they travel to, how did they evolve, and how many versions are there? Some American & Canadian Old-time tunes originally came from elsewhere & maybe composed under unusual circumstances, e.g., Speed the Plow comments - John Moorhead, composer.
Check out the Genres Section (here on the Forum) to get started!
...anyone can play whatever they want & however they want to, but there's really no reason to be unaware of basic genre traditions. The SAME TUNE may be known very differently by culture, or geographical location.
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