Welcome to our forum. A Message To Our New and Prospective Members . Check out our Forum Rules. Lets keep this forum an enjoyable place to visit.










if i could only get my friends/coworkers/church members to not be afraid to even touch my violin... the kids i get (they're usually under 8) but the adults it's like my bow might as well have shards of glass and rusty razor blades on it! SMH
"Somewhere, something incredible is waiting to be known." - Sharon Begley

Regulars










I realize most folks don't have time to immerse themselves in different genres, but now-a-days it doesn't take much time to just listen to how a couple of Traditional Fiddlers on YT phrase & emphasize a particular tune. The nice thing about a video is you can catch bowing patterns.
There are also GREAT sources of trad recordings!
So, if you do sight-read 'fiddle tunes', don't stop at that! Take a moment (afterwards) - listen to how close you come to the feeling a 'Traditional Fiddler' has on a recorded version of your tune, or tune type (Irish, Scottish, Canadian, or American - Reel, Jig, Waltz, Hornpipe, etc...?). It ONLY TAKES A MOMENT to look up a tune & listen to a recording: Old Time Fiddle Tunes, Irish Tunesource, Ottawa Cape Breton Session Tunes, U of P.E.I, GFW Scottish Tunes! I listen for bowing pattern/emphasis, rhythm, phrasing, and any distinctive ornamentation.
...just be wary of A.I. generated audio - I have found it may, or may not be true to style because of the notation. I believe traditional 'fiddle tunes' were never originally intended to be sight-read... there's too much taken for granted once immersed in a genre.
IF YOU DO HAVE TIME - 'fiddle tunes' come from ALL OVER THE WORLD & can have a very rich history... where do they come from, what were they composed for, where did they travel to, how did they evolve, and how many versions are there? Some American & Canadian Old-time tunes originally came from elsewhere & maybe composed under unusual circumstances, e.g., Speed the Plow comments - John Moorhead, composer.
Check out the Genres Section (here on the Forum) to get started!
...anyone can play whatever they want & however they want to, but there's really no reason to be unaware of basic genre traditions. The SAME TUNE may be known very differently by culture, or geographical location.

Regulars










I know a lot of folks get comfortable playing music in only one or 2 genres, and there can be a lot of reasons for it, but I recently found the most likely place different genres might be played/danced to & enjoyed ALL TOGETHER in one evening... a CONTRA DANCE!
Contra Dance: An American Contra-Culture
by Jessie Hurkes
Contra Dance - A Personal Reflection by Dave Brown
An extremely insightful & historical perspective by a Contra Dance Musician!
There's a few great Contra Dance Bands that have given me a glimpse of what's possible, but Massachusetts's 'The Moving Violations' is my favorite!
Original compositions as well as tunes from Ireland, Scotland, Cape Breton, New England, Eastern Europe, Sweden, and Eastern Europe are all fair game for The Moving Violations. [AND intermingled in sets!]
THREE album playlists to check out!
Anyone know a venue (other than Contra Dance) where many different genres are embraced/played?
Strange music is good... something is only 'strange' until you get to know it - then it becomes 'familiar'. Researching/learning to play music found in different Countries (and all over the USA), has given me an incredible feeling of 'connection' to other people in the World.
1 Guest(s)

