@kylesito - a similar observation here as to what you experienced - I played the EV for 4 months before I went for an acoustic ( same as you as it happens, FM Concert ).  I didn't quite have the same issues as you - even on the EV I was aware of the difference in tone as you move the sounding point between close to the bridge and towards the fingerboard - but what really blew me away was (1) the enormous dynamic range achievable from the acoustic, from a whisper under the ear to "somewhat deafening"  (2) the overall "tonality/timbre" of the acoustic with both the added body resonances and the inter-string sympathetic resonances that were almost non-existent on the EV.   Having said that - I personally found the "cleaner" tone from the EV ( no other sound vibrations, from body or open strings ) quite "useful" for "raw-intonation-practice" - but that was me, others suggest it is BETTER to hear and get to understand the more complex sound from the acoustic from the start.

One downside I immediately found was that the nut-to-bridge length on the EV was somewhat longer - by about 7mm - than the "proper length" as defined.  That caught me out initially, but now - I automatically adapt to the marginally different fingering positions between the two - it just "happens" - I guess it is like driving two entirely different models of car - they behave, and have to be controlled, differently, and once adapted to, becomes automatic.   I guess it is exactly the same if moving to a larger bodied instrument such as the viola - it becomes automatic.

Anyway - you asked - and that's what I found during the "transition" from EV to acoustic.  I still regularly play both on a daily basis, and now have an FX box for use on the EV.  

Enjoy your new acoustic - I'm sure you will - good choice !