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Honorary advisor
Regulars

Alrighty, so I was thinking it would be kind of fun to track the evolution of a single song as I learn and experiment with it. I'll start with a baseline and every so often post an update where I will have (hopefully) improved. At some point, I'll start adding in ornamentation and we'll see where the song ultimately ends up.
The A and B parts are usually repeated; however, I left them out this time around to cut the length by half. I figured y'all would appreciate not walking away with bleeding ears.
Feedback of all types, of course, is always welcome.
I know I rushed the B part a bit and I also think my D (on the A string) might have been a bit sharp. That's been giving me some trouble recently. Also, I know I'm not using the full bow or even holding it at the frog. One, I don't want to hit the ceiling. (I'll find a better spot to record next time.) Two, it's about an inch longer than is comfortable for me. (Alas, the bow I like is in rotten shape and it is doubtful that it would be worth the cost of the repair, provided it could be repaired which is also doubtful.)
Honorary advisor
Regulars

Hey, thanks.
Thanks for pointing out that I look at my fingers. The funny thing is that, if I am reading sheet music as I play, I can generally find the right note OK so it's not like I need to see where I am placing my fingers. I think it's a confidence issue. I'll work on it.
I'll also work on adding in some dynamics for version 2.0. We'll see what happens. It'll be fun.
Honorary advisor
Regulars

Don't look at me. I have no idea what I'm doing.
Out of curiosity, I went back to the orginal sheet music and that combination isn't in there. It is supposed to follow the same pattern as the rest of the B part. So I don't think they're grace notes so much as I altered the rhythm at that point for some reason that is now a mystery to me. (Actually, looking more closely, it appears I made quite a few alterations while I was memorizing the piece. Oops.) As I said, I have no idea what I'm doing. Maybe when I'm finished with whatever it is I'm doing now, I'll go back and try to actually play it according to the sheet music. Maybe.
Thanks for the feedback.
Edit to add: Procrastination being far better than studying, I went digging through my old music notes. Apparently, I couldn't find the sheet music for the variation I actually liked so I started with the sheet music for a different version and altered it by ear to match more closely to the one I heard and preferred. Still don't know where the part you like came into it though. It might have been an accident that I liked and so kept.
Honorary advisor
Regulars

I've finally gotten around to updating my baseline version of Arran Boat. (It's hard to do these recordings when your roommates never leave. Thankfully I am away for the weekend and have a chance to play without the mute.)
Based on previous suggestions, I am attempting to look less at my left hand and to add dynamics. These will be ongoing improvements.
I have also added a slide from B-flat to B. (Still perfecting that one so it's pretty weak a couple of times.)
Feedback, of course, is always welcome.
Honorary advisor
Regulars


Gee, I guess then that your plan includes how much you want to be a reader. If you're a good reader there is a lot more music at your disposal.
I also know about suddenly revising the music and playing something else. Sometimes I think it's better than the printed music but that is not valuable if/you are playing with a group.
Why did you do the slide?
Honorary advisor
Regulars

Slides are fun and my playing is all about having fun. I also like the sound of the slide right there (at least, I do when I get it right).
I enjoy using sheet music to learn a new piece and then working from memory to see how it evolves based on my changing experience and memory. I figure being comfortable with both sheet music and spontanaity will serve me well.
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