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The Promenade is not traditionally considered a separate movement, but the first (and longest) Promenade in the piece got a separate video. The other Promenades are all attached to the movements that follow them.
This is the 6th of 11 videos. The remaining ones are:
7. Samuel Goldenberg and Schmuyle
8. The Market at Limoges
9. Catacombs
10. Baba-Yaga
11. The Great Gate of Kiev
Of these, I'll be in 8, 9, and 11. I've already recorded "The Market at Limoges." I'm recording "Catacombs" this week and "The Great Gate of Kiev" later in the month.

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Thanks, everyone.
Funny thing is, I didn't realize Persia was there when I was recording! She wasn't there when I played my first take, and was when I played the take that I submitted. I was standing where I was to avoid being backlit.
BTW, the keyboard player was playing the celesta part. It's really rare for someone to have a celesta at home, so an electronic keyboard fills in for it. (Many community orchestras have to do that too.)
Bob, since you mentioned it before, I hope you caught the Ballet of the Unhatched Chicks just before the page break. It's easy to miss because of where it is in the thread.
I'm getting ready to record "The Great Gate of Kiev" this weekend, and then I get to sit back and wait for the rest of the videos to come out.

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@AndrewH, Yes I did watch the little chicks in their shells!
It's really great now-a-days that we have technology that can simulate obscure instruments like the celesta.
I'm excited to see how your orchestra are going to handle the tubular bells/chimes at the end of Gates. These presentations of Pictures is one of the most entertaining I've seen.
Bob in Lone Oak, Texas

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@ELCBK - the next project after Pictures at an Exhibition will be Gershwin's Rhapsody in Blue. (The solo part is divided between a bunch of pianists, and the orchestra parts are split into a few segments with people rotating in and out.) I'm recording for that project this week.
Rhapsody in Blue will be the last Socially Distant Orchestra video for now, as most of the people involved expect to return to in-person performing by this fall. After that, it's likely to be limited to a project or two each summer during the orchestra off-season.
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