It sounds like a great project, EJKiszenia.  This could be a particularly good time of year to be working on anything "creepy", since if you can get it out where people will hear it by something like early October, it could get an automatic boost of interest due to Halloween.  Though it seems vampires and such are popular all year round in recent years.

The concept sounds good.  But if there were supposed to be files to listen to, I don't see them?

We are definitely alike on one thing, though.  One of the reasons that I wanted to learn violin was to be able to actually play some bits I've written for strings over the years, rather than using midi and samplers.  So you know I will be one of the ones cheering you on!  LOL

Not bad, EJK, not bad at all.  "The City In the Sea", in particular, it gets a nice mood developing.   Don't worry so much about it being midi at the moment or the recording equipment not being as good as you'd like.  At least you got the bits down so you didn't lose them, and that is more important at this stage.

You definitely have enough to enable you to work from it.  Each part has a definite sense of movement and some framework available from the arpeggios and etc. 

What *I* would do with it at this point of development would be to set the pieces up in separate loops and take your violin when you are warmed up after a practice and just start playing to one of the pieces.  Start with just taking some easy long notes and let it evolve and see where the instrument takes you.  Record everything, even from the first session and after you have a week of sessions, start reviewing the parts that are a week old.  In a couple weeks or a month, you will have some ideas that will have developed that will have grown out of the original framework but have taken on enough "life of their own" that you will want to develop them as movements to tell the story you have forming in your head.

After you have some of those written down and recorded (maybe also midi-ed), take a break from that, because you will likely have had some more ideas on how to develop the original two pieces.  Like there may be sections you want to build with more depth or more stark, to allow yourself to explore them with the violin.  Probably also some ideas for piano/keyboard will have come to you as well.  

What I am trying to say is that what you have so far is good.  It makes musical sense, it builds some interest, it has mood.  It uses moments of dissonance and harmony to build tension and give release.  It is good "bones".  But it is kind of like a stage that has been set or the opening credits of a movie.  Now you may want to build on that to bring in the characters and start telling the story itself. 

How I would start on that may or may not work for you.  But I would immerse in the instrument, learning what the violin can do.  And immerse in "The Fallen" as you have it written so far, seeing where the violin takes you in that world you built when you set down "The Valley of Unrest" and "The City In the Sea".  Do the same with keyboard/piano when you hit "dry spots" where the going is not easy with the violin.  Work one and then the other at those different times,so they can build off each other.  Work towards developing movements that build off the original ideas of The Fallen" as you first set it down to make moments that listeners will remember, that will haunt them for years after they have heard it.

LOL  I think I have been rambling.  So I'll wrap it up with:

"Sounding good, EJK.  Keep up the good work, and I look forward to hearing where you go with this piece."