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That's awesome to know that someone is recycling the old instruments in earnest. If we can reuse old barn timber, then why not old instrument wood? Curious, do these lots get sold at auction? Are they collected from estate sales?
I live in Texas, so I've used mesquite for guitar fingerboards. It's probably more resonant than ebony, but it isn't smooth, and it isn't black. Texas ebony also isn't black, although it is similarly smooth and hard and can be stained. It seems the violin community is more accepting of alternative woods for tailpieces, chin rests, and pegs, so there are plenty of options there. The Australian eucalypts, like Jarrah, would work especially nicely.
Adirondack (picea rubens) is suitable for violins and violas but is much harder to find in large billets. Nova Scotia produces a fair bit of it, and it is second only to Alpine spruce and Noble fir for acoustic conversion efficiency. Good stuff for the finest instruments! Meanwhile, doug fir is a great option for less expensive fiddles. It has a natural orange color but takes varnish quite nicely. The graduations might differ slightly between these conifers, but they are more similar than not.
For exotic backs and sides, koa and the rosewoods are certainly lovely. Cheaper options would include cherry and black walnut.

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bfurman said
That's awesome to know that someone is recycling the old instruments in earnest. If we can reuse old barn timber, then why not old instrument wood? Curious, do these lots get sold at auction? Are they collected from estate sales?I live in Texas, so I've used mesquite for guitar fingerboards. It's probably more resonant than ebony, but it isn't smooth, and it isn't black. Texas ebony also isn't black, although it is similarly smooth and hard and can be stained. It seems the violin community is more accepting of alternative woods for tailpieces, chin rests, and pegs, so there are plenty of options there. The Australian eucalypts, like Jarrah, would work especially nicely.
Adirondack (picea rubens) is suitable for violins and violas but is much harder to find in large billets. Nova Scotia produces a fair bit of it, and it is second only to Alpine spruce and Noble fir for acoustic conversion efficiency. Good stuff for the finest instruments! Meanwhile, doug fir is a great option for less expensive fiddles. It has a natural orange color but takes varnish quite nicely. The graduations might differ slightly between these conifers, but they are more similar than not.
For exotic backs and sides, koa and the rosewoods are certainly lovely. Cheaper options would include cherry and black walnut.
There's a place in Germany that revamps old trade fiddles also. Lot's of Hopfs and all kinds of other old German tarde fiddles.... mI see their videos on youtube all of the time.
" I just keep telling myself...."It's all about becoming one with your bow"

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Have to wonder if in years to come, if the Chinese fiddles all over the market today will be getting revamped and etc. Probably.
The factory fiddles from Germany and etc were not "prized" acquisitions back in the day. I recall seeing some old articles that talked about them much like people today talk about the Chinese factory fiddles/violins.
"This young wine may have a lot of tannins now, but in 5 or 10 years it is going to be spectacular, despite the fact that right now it tastes like crude oil. You know this is how it is supposed to taste at this stage of development." ~ Itzhak Perlman

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DanielB said
Have to wonder if in years to come, if the Chinese fiddles all over the market today will be getting revamped and etc. Probably.The factory fiddles from Germany and etc were not "prized" acquisitions back in the day. I recall seeing some old articles that talked about them much like people today talk about the Chinese factory fiddles/violins.
Yeah but I'd dare say that these new Chinese fiddles were better right out of the gate than some of the German stuff that came out of the gate back in those days....at least some of the Chinese stuff...
Maybe I'm wrong?
" I just keep telling myself...."It's all about becoming one with your bow"

Advanced member

Right, no argument here, but most of those German factory instruments were poor because they're heavy. IOW, there is still potential because material can be selectively removed. Good wood is good wood.
The Chinese instruments from 30 years ago were coated in polyurethane and are probably unsalvageable.
I hope it's okay to post a blog link here:
http://lukonisviolins.wordpres.....-a-violin/
I think it offers a great perspective on finding value in an instrument.

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Ok, value in instruments is interesting. But the OP and title are about beginner violins.
I've been taking a class lately on teaching violin basics, and the quality of violins for a beginner was discussed in the forums there. (No big surprise, right?)
There were only a couple things that most of the teachers and possible future teachers were actually concerned with.
Does it hold tune?
Is the action low enough that it is actually reasonably possible to play?
That was it, really. A few mentioned having seen instruments where the fine tuners were so poor that they wouldn't even turn or fell apart the first time they were adjusted. Strings were mentioned and that super cheap ones aren't so good, but the general consensus was that Preludes or better are just fine.
There was no talk about thickness of tops, or what tonewoods were used. No mention of the finish. No mention of things like the chinrest other than that it should be comfortable for the student.
Even on the matter of it staying in tune, one of the suggestions was that it might be necessary to teach a parent (or the student, if they are old enough) to tune it at home. So they aren't practising on a badly out-of-tune instrument.
For the bow, reasonably straight and the frog adjusts properly. Nice if the hair is also straight.
But that, from what I saw, is all that most teachers are looking for in a beginner instrument.
Pierre's review of some of the low end Cecilios, he gives the opinion that they would work fine for a beginner. I did not see anything to contradict that in the posts/thread i read by teachers and people getting training to maybe eventually be teachers.
Not saying there is anything wrong with discussing quality instruments and etc. But an actual beginner reading this thread should understand that what a beginner actually needs and even what a teacher will expect is usually not near as complex as some of the quality points being discussed here.
It isn't that they want beginners playing on junk, so much as that issues like tone production, higher positions and etc, where you really need an instrument that is maybe a bit better, is not really a concern at beginner level.
I also asked (obvious personal interest) the instructor how long it typically takes a player to get beyond beginner and into intermediate. I was told it takes usually about 5 yrs, but that is assuming they are taking lessons that whole time and putting in an hour or more of practice every day.
Much as my ego would prefer to have heard otherwise, I haven't even been playing for 3 yrs until late this coming spring, and so I have a ways to go before I am anything but a beginner. LOL
I did ask if there was a difference in how adults and small children should be taught. I was surprised that other than maybe leaving off some of the cutesy names and some of the games that are more child related, I was told that lessons and what they cover should be pretty much the same.
Really, the bigger concern by far was how to get students to actually put in their practice time and how to make sure that learn and understand the techniques and exercises related to the bowing, work on their intonation and timing, etc.
Not saying it is bad at all to discuss violin quality in a violin forum. But I might suggest that you consider if the degree that we're going into "quality" might be more confusing than helpful for actual beginners that read this thread. Violins beyond the quality of what a beginner should be looking for is a great topic for discussion, but you may want to start a new thread for it. Just a suggestion.
Regraduated/re-voiced antique German violins are probably a bit more than a typical beginner actually will need. LOL
"This young wine may have a lot of tannins now, but in 5 or 10 years it is going to be spectacular, despite the fact that right now it tastes like crude oil. You know this is how it is supposed to taste at this stage of development." ~ Itzhak Perlman

Advanced member

Are we talking exclusively about adult beginners with prior musical experience? There is a considerable difference in the level of commitment there compared to a young child's. Not that there's anything wrong with Cecilios, but the buy/sell/upgrade path will ultimately cost more than once and done. Of course, that can be an amusing hobby on its own and also serve as a reward structure for improvement.

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Well, the "buy/sell/upgrade path" isn't something that everyone is keen on. Myself, for example, I've been playing assorted instruments since the mid 1970s. Over those decades, I have sold exactly one piece of my gear. Even that, I sometimes regret, since it was an old Vox amp in nice shape. LOL
Most of the musicians I've known over the years didn't sell or "trade in/up" either. A few did, certainly. But not the majority. Most just keep the previous instrument for it's sound on some pieces or genres or give or sell (usually at a loss) to someone starting out, to get them going. I've given some away myself over the years, or donated it to the local college music department, if I really wasn't using it and didn't feel I was likely to.
A lot of musicians don't take good enough care of their gear that it would have much resale or trade-in value is the sorry truth. Many can't even be bothered with keeping it clean, much less in good repair. So where a lot of old gear ends up is gathering dust, broken and/or eventually in the landfill.
Sure, some might consider the buy/sell/upgrade thing an "amusing hobby". I don't personally, but hey, if you like it, enjoy. You would actually advise getting into that game to a beginner on their first violin, though??
The original poster was asking about beginner violins 350$ and under, though.. And the resale or trade-in value of beginner instruments in that price range is not going to be great anyway.
Anyway, so far as being an adult beginner.. Some prior musical experience/education can be helpful, certainly. Theory, reading, ear training etc are obviously going to be helpful since at least there is that much that one already knows. If the person made it far enough in the other instrument to develop good timing and dynamics, some of that may travel a bit. Hand flexibility, independent finger control, those will help if you already have them. But unless the experience was on a closely related instrument, I don't think it automatically makes that much of a difference.
I know that having played guitar for most of my adult life has only been somewhat helpful with violin. My left hand maybe has a better idea what to do with a set of strings. But time spent with a pick and fingerstyle did nothing to prepare my right hand for knowing what to do with a bow. LOL
I can't say for a fact if the 5 yrs estimate I was told was referring to adult beginners with prior musical experience or not. I can say though, that the instructor was aware that I play several other instruments, that I have been playing since the 1970s, and that I have an Associate's Degree in music. Whether she was taking that into account or not, I can't say for sure. But it was not the first time I've heard "5 yrs". I'd also heard that from my old piano teacher (she also taught violin), who was quite familiar with my musical background and education and considered me a "fast learner" on piano. And still, she said 5 years. She said that it has far more to do with how much time you spend with the bow actually on the strings than what you know, and that it takes time.
I do believe that prior education and experience have to make a positive difference. But it may not be the shortcut on the road that some of us (myself included) may wish it was. LOL
About adult students in general, the thoughts I have seen is that we learn slower. Mostly because we do not have a parent driving us to lessons to make sure we get there, or making sure that we actually practice. Also adult students allegedly resist correction more than younger folks, insisting on doing things our own way. We are more inclined to (even if we do practice) not actually practice the things a teacher/instructor asked us to, are more likely to rush into new songs because it is fun than to work on perfecting our technique on the recommended repertoire items for our level, and so on..
In any case, I would not agree that being an adult musician is any guarantee of level of commitment. I have known plenty that weren't. And some children are very committed and very diligent about their practice and eager learners. So I am afraid that I can't agree that the difference in level of commitment is automatically in favor of the adults. It would be comforting to think so.. But.. LOL
"This young wine may have a lot of tannins now, but in 5 or 10 years it is going to be spectacular, despite the fact that right now it tastes like crude oil. You know this is how it is supposed to taste at this stage of development." ~ Itzhak Perlman

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Good point Daniel - Let's start a new thread maybe talking about German Trade fiddles, I guess I'm the guilty one for bringing it up.
But I would like to discuss those trade fiddles and others that may/may not have experience with them.
I've seen good reviews about the Cecilios to be honest also the Scott Caos as well.
With me, I get personally attached to my instruments so unless if I have literally "no" need for one in the absolute sense, I'll hang on to it. I guess I'm weird as a musicians in that respect. Also, I'm very meticulous about how I car for my instruments...I won't even let my wife touch them LOL!
I'm gonna start a new thread where we can chat about old German stuff to our hearts desire!!
" I just keep telling myself...."It's all about becoming one with your bow"

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bfurman said
My position has always been to make a good investment from the get-go, thereby eliminating unnecessary trial and error down the line. Or rent if you're really unsure so that your money rolls forward. That is all.
Sounds like good advice to me
" I just keep telling myself...."It's all about becoming one with your bow"

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@bfurman: Could you explain what you mean about renting and money "rolling forward"? I haven't heard that expression before.
I've never gotten instruments via any sort of rent-to-own. It never made sense to me personally to end up spending around twice the sticker price in payments over a couple years rather than saving/budgeting for it and just buying outright. I can definitely understand the appeal for folks that want to start playing right away and where they feel the added expense is reasonable for not having to wait, though.. But it is possible I am overly conservative on such matters, so your comment was interesting.
I will add, under "advice", that some companies/vendors do offer some value if you want to trade in an instrument you bought from them towards an upgrade. Some music shops do as well. That could be a consideration for some beginners.
"This young wine may have a lot of tannins now, but in 5 or 10 years it is going to be spectacular, despite the fact that right now it tastes like crude oil. You know this is how it is supposed to taste at this stage of development." ~ Itzhak Perlman

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DanielB said
@bfurman: Could you explain what you mean about renting and money "rolling forward"? I haven't heard that expression before.I've never gotten instruments via any sort of rent-to-own. It never made sense to me personally to end up spending around twice the sticker price in payments over a couple years rather than saving/budgeting for it and just buying outright. I can definitely understand the appeal for folks that want to start playing right away and where they feel the added expense is reasonable for not having to wait, though.. But it is possible I am overly conservative on such matters, so your comment was interesting.
I will add, under "advice", that some companies/vendors do offer some value if you want to trade in an instrument you bought from them towards an upgrade. Some music shops do as well. That could be a consideration for some beginners.
I'm with Daniel and I know some advocate rental for beginners but you could end up paying more right? And, not everyone will accept the same amount of what you've already paid, towards the purchase of an instrument right?
" I just keep telling myself...."It's all about becoming one with your bow"

I did a rent to own my instrument in the beginning. IT was a 2 year contract. And Yes.. it would be at the end of two years like paying twice for the 400 dollar violin. However if you buy out early you can cut off some of the excess, but I would say I paid a few hundred more in the end.
However, I got the upgraded instrument. I had peace of mind in case this violin thing was a hair brained notion.
I have a beautiful concert violin and the whole time I was renting I got free strings. I forgot the name..?? start with an O.. OH.. Overtures.. nothing to special but they worked.
I still have the violin and I do not regret renting to own it. It is a better violin than I would have bought if I just was buying out right at the time.
I will always stick with my advice to anyone starting to play, which is buy the best your can afford. So buy the best student grade violin that you can afford. (keep in mind that many times a 300-400 dollar violin will resale at much higher than the less expensive ones.
Sorry if this has all been discussed. My mind is wandering this am.
OH.. yea.... I happen to have a German Factory fiddle. From 1970's or so. I have heard people in other forums say its pretty much ugh. I am here to say, it is a beautiful violin, it is not put together poorly... everything is really quality. It is not thick or heavy... She is light and pretty, I call her Gretta. I picked her up for a steal on an auction a few years back. She is going to go away and live with a friend who will play her because as it is, she sits in a case for two years and to me that makes zero sense.
I think I am a one violin person. Of course I keep the second violin in the event something ever happens and I have to have my main violin worked on.
Tuesday rambles.
Vibrato Desperato.... Desperately seeking vibrato

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CoolPinkj
coolpinkone said
OH.. yea.... I happen to have a German Factory fiddle. From 1970's or so. I have heard people in other forums say its pretty much ugh. I am here to say, it is a beautiful violin, it is not put together poorly... everything is really quality. It is not thick or heavy... She is light and pretty, I call her Gretta. I picked her up for a steal on an auction a few years back. She is going to go away and live with a friend who will play her because as it is, she sits in a case for two years and to me that makes zero sense.
Well, that would be considered more along the lines of a modern German fiddle, as anything after 1950 would be considered a modern one. However, the German trade fiddles in question generally range from late 1800's to just around WW2. They were built in factories around the schools of Violin making in Beuchenwald(?) Mittenwald, Saxony and also in Czechoslovakia and France.
I'd dare to say that your modern German one is much better, because if I remember reading after WW2 the craftsmenship and build quality right off of the line was considerably better. Was yours benchmade in Germany possibly
The old trade fiddles were turned out very quickly, alot had grafted scrolls and were shipped overseas to the US to companies like "Sears N' Roebucks" and many others where they could be ordered and bought out of a catalog.
" I just keep telling myself...."It's all about becoming one with your bow"

Advanced member

Daniel and Everyone,
I've spoken more than my fair share already, so I will just clarify, comment, and bow out.
Renting in my town is nothing like it was when I was a kid in school orchestra. It really is a rent-to-own situation, and one shop here applies 100% of the fee toward purchase. If you stop short of paying off the instrument, then the money is lost. If you continue, then you merely pay full retail. But service is included. I can't think of a better deal for parents unsure of their child's interest. There are also exchanges made for size, quality, etc. You'll lose a bit in each trade because of depreciation, but it's no worse than selling privately. Of course, you are limited to the shop's inventory and what they will order for you.
I would advise an adult to buy a quality instrument. Online, that means spending $400 and up. (Equivalent to ~$550 local retail.) I think trying to save $50 or $100 up front will only cost more in the long run. The losses on Craigslist, eBay, and Reverb are brutal on newer, low-end instruments. Alternatively, getting a better instrument early on can result in greater enjoyment and a delayed (if any) need to upgrade.
I understand that some folks really cannot afford more up front. My comments are not directed at them. If you are a multi-instrumentalist, then you already know that good tools cost serious money. A Fender Strat made in Mexico will carry you forward into a gigging career, whereas a Squier will need to be upgraded or replaced. The same is true of a good, basic Seagull or Eastman acoustic guitar. I can't separate the value proposition from the skill set because I'm optimistic that the skills will come.

Honorary tenured advisor
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bfurman said
Daniel and Everyone,I've spoken more than my fair share already, so I will just clarify, comment, and bow out.
Renting in my town is nothing like it was when I was a kid in school orchestra. It really is a rent-to-own situation, and one shop here applies 100% of the fee toward purchase. If you stop short of paying off the instrument, then the money is lost. If you continue, then you merely pay full retail. But service is included. I can't think of a better deal for parents unsure of their child's interest. There are also exchanges made for size, quality, etc. You'll lose a bit in each trade because of depreciation, but it's no worse than selling privately. Of course, you are limited to the shop's inventory and what they will order for you.
I would advise an adult to buy a quality instrument. Online, that means spending $400 and up. (Equivalent to ~$550 local retail.) I think trying to save $50 or $100 up front will only cost more in the long run. The losses on Craigslist, eBay, and Reverb are brutal on newer, low-end instruments. Alternatively, getting a better instrument early on can result in greater enjoyment and a delayed (if any) need to upgrade.
I understand that some folks really cannot afford more up front. My comments are not directed at them. If you are a multi-instrumentalist, then you already know that good tools cost serious money. A Fender Strat made in Mexico will carry you forward into a gigging career, whereas a Squier will need to be upgraded or replaced. The same is true of a good, basic Seagull or Eastman acoustic guitar. I can't separate the value proposition from the skill set because I'm optimistic that the skills will come.
For people with kids I think that's pretty good advice. My son went through like 3 different instruments, none of which he stuck with. My grandson, on the other hand, wanted to play viola because he doesn't like the sound of violin E string and luckily his middle school lent him one to play, as it turned out, for 2 years. After the school told us that he'd need to get his own the next year, but me still expecting him to give up on it, I got him a 1970's German student viola for something around $250, which he played for the next 2 years. Seeing that he wasn't going to give up on it, I traded that viola for $350 off the price of fairly expensive instrument that could he could use through college. Had I purchased that more expensive instrument at the start and had he quit after the first year, I'd have lost a enough money to be a bit miffed.
As and aside, he had a recital last Sunday. One of the students who performed at the recital, a young lady, had a violin that sounded wonderful. She wasn't the best player, but her instrument had by far had the best tone -- amazing tone actually. After the recital I stopped her and her parents and told them that I really liked the tone of her instrument and asked what violin she was playing. Her mother said, "I have no idea what it's called, she picked it because of the way it looks." Go figure. It's probably just some run of the mill student fiddle that just happens to sound like a $30,000 violin.
A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort. ~Herm Albright

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I think it will depend on the shop or vendor and rental may be a great idea from some places. Like many things in life, you want to look into it and ask questions before going into it. If it's a good deal and it gets you what you want? It only makes sense to take it.
When I first started on violin, it was an impulse thing. I had a small bit of budget to spare and i was looking for maybe some sort of a musical treat for myself. It could have been a stomp box, it could have been a book, or a microphone, I was just sort of wandering Amazon. I saw some really cheap acoustic violins. Like 30-some dollar ones. I've played guitar since the 70s, so yeah, I do know what kind of instruments one finds in that extreme of the price range. To put it simply, odds are real good of getting nothing but junk.
But I'd never tried violin, and had always kind of wanted to. And at that kind of a crazy price, I was considering I might at least be able to try it and tell if I would like learning to play. Looked like fun. But you never know.
My wife said I should blow a bit more and get an electric, since I tend to be far more of an electric player for guitar and etc. So I bought an 80$ electric instead. Nothing great, and I wouldn't recommend the model I got to any beginner. But it was enough to get a taste. And with a fair amount of tinkering I got it to action and sound I was ok with. I still play on it a fair bit, and at the price I am amazed it has held up this long.
But if I hadn't clicked the button that day, I might not ever have gotten around to trying violin/fiddle. If I had taken another day or two to think about it or asked anyone sensible for good advice.. I might still never have tried playing violin, and to be honest.. I would have missed out on a lot of fun.
I have definitely been having fun the past couple of years. More than I can recall for most times over my musical life.
I was no noob expecting a great instrument at that sort of price. I considered it low enough that if I didn't like playing the instrument, I could just give it away to someone else to have some fun with and not lose a minute of sleep over it. An acceptable risk, just to see if maybe I *would* like violin. Acceptable to me personally, anyway. Maybe not for other folks, I don't know.
If I had been looking at spending around 350$ like the original poster was talking about.. To be honest, I probably wouldn't have risked it on a violin. There are accessories, mods and assorted bits of gear for other instruments I play where I know for a fact I could get some decent sounds for that amount of money. But seeing that there were such things as seriously cheap violins, even electric.. Well it seemed like a fun idea to just give it a try.
As an experienced musician, it is NOT what I would recommend to a beginner, if they can manage better. Definitely not the way to start your child out on an instrument, if you have any other choice.
But if it is all you can do or all you can convince yourself to feel comfortable with.. It can be a start, it can be a beginning to getting to know the instrument. Sure, not the wisest start. But quite a few folks in this community that are definitely learning and improving started on some pretty rough gear.
Not everyone would agree, but I personally think it is better to just make a start than to think too much on it and give yourself a chance to talk yourself out of it. Strictly my opinion.
"This young wine may have a lot of tannins now, but in 5 or 10 years it is going to be spectacular, despite the fact that right now it tastes like crude oil. You know this is how it is supposed to taste at this stage of development." ~ Itzhak Perlman

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So i haven't read through the 6 pages of replies but thought i'd stick in my experience with the instrument. The first violin i bought was this old, no name, cheap (around $50) piece of junk. I played it all through high school and even used it in an orchestra. I actually liked it when i was playing it regularly. I didn't do much to it but change the strings when they broke.
Then i stopped playing for years. A few years back i wanted to take up the instrument again so i went and rented what was a $600 violin from a local shop; i honestly didn't like the renting process so i quickly returned the rental and bought an electric from the fiddlerman site. I needed a quite violin as i live in a condo. I love it! The sound isn't fantastic and i really need to upgrade the strings, i've just ordered a new bow so that should help a bit. I think if i didn't need a quiet violin i would go for the fiddlerman concert outfit, i've heard good things from those who have them and i'm sure that will be my next instrument when i finally buy another one.
I hope you have/will find an instrument that will fit you, even if you have to exchange it a few times. I will say don't go too cheap and don't spend too much, aim for a middle of the road and you should end up with a decent sound and something you can learn on.

Regular advisor
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Im an adult re-beginner with prior music experience (piano).
Upgrading the violin was the best thing I could have done, what I have is way beyond what a beginner needs, but with my ear I couldnt enjoy it as much.
Having said that, I looked at a craigslist violin from a storage unit sale made in china for $50. I was really surprised by its sound quality. I offered the guy $30 so I could donate it to a school but he didnt bite.
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