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I wasn't altogether happy with the original strings on my Glasser AEX A/E 5-string - no surprise.
The C string was the last string I needed to deal with & I was REALLY dismayed at the lack of choice available!
My violin (Mortimer!) came supplied with the Helicore C (that I used for over 13 months). Wasn't until recently, when I started to force my focus on lighter finger pressure, that I realized the Helicore was still a problem.
I also realize strings are a very personal choice, but I'd like to share what I found.
I discovered violas came in a size close to a 4/4 violin - called "Short Scale"! Zyex come in that size & I had seen the positive review Fiddlerman did on Zyex.
I've been playing it all this last week - I'm pleasantly surprised!
At first, it was so different than the Helicore I wasn't sure what to think - seems much easier/more versatile to play & I don't know if I'm imagining it, but I think it makes ALL of my strings resonate more!Worthwhile to try if you're in the market for a C.
I've been seeing more people now playing 5-string violins than a year ago. Maybe the "String industry" will take notice & start supplying more options for us!
- Emily

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Ive always liked zyex. as of now im using helicores on one fiddle I tinker with alternate tunings playing old timey stuff. it sounds like an old timey fiddle with them. my soloist still has obligatos and im happy there.
I dont have a 5 string. they seem popular in bluegrass..my impression. anither fiddler let me play a little with one they had. it sounded great. the spacing took some getting used to. dint remember the strings it had but id guess helicores.

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Most people with 5-string violins seem to be aware of the availability of short scale viola strings, so I suspect manufacturers aren't going to make more strings labeled as violin C strings. Just explore the short scale viola string options. Most popular brands are available in short scale.
I don't think I'll ever buy a 5-string myself. I tried a 5-string viola (same strings as 5-string violin) that a luthier who plays in one of my orchestras made and was offering to sell. I didn't like it at all -- too hard to play in higher positions where fingering presses the string down more, because the string heights are too close together. I'd find it only useful for traditional fiddle music (for fiddlers the closer spacing may actually make quick string crossings easier), which I don't play often enough to justify taking the time to learn the different bowing angles on a 5-string.

Yes - I've mentioned this before. One of my instruments (the Skylark - built like a barn door and at one point, about to be sacrificed as kindling for the fire) really doesn't like to sing above E5 - it just kind of dies. Yes - I did all the stuff trying to get her to sing, but no, no significant change. The instrument just does not like to resonate up there. So, before the axe came down on her, I thought - you know - the bass-end response is actually good... how about restringing this 4/4 fiddle as a viola?
So - I kept the G, D, A (Dominants, I think) and moved them up a notch on the nut and bridge, and sought out a C3. First mistake (for me) was trying the short viola C (I forget which it was precisely) - it worked of course - but it had to be actively "engaged-with" on the bow. (My bowing action is very much a "light-touch" unless specifically demanded otherwise, and without an aggressive (to me) touch, the string was slow to respond. )
Next step - get a C3 specifically for use on "normal" 5-string violins.... well - my search and ( in some measure, thanks to Mr. Jim ( @Worldfiddler ) came up with the Thomastik Vision Titanium C - perfect (for THAT fiddle and my touch)
So, that's another possible C3 for a 5-string 4/4 fiddle.
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)

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I have NO idea !!! I use the terminology just because when I was doing this the "short viola" term was hinted at by others as to what I would require (and on reflection, maybe because they thought I wanted to actually create a "small viola" i.e. like all viola-strings on a 4/4 fiddle - which is not of course what I was doing! I was really making a 5-string fiddle with the top E missing LOL) . So, on the basis of the advice, that's what I initially sought out. [ and because I referred to it as a "fake viola" ( just because of the tuning ), that may have been a source of confusion to others ???? ]
My experience of the string (which I no longer have) was as described two posts back.
I can really only compare it to the Vision (which I ended up using) in terms of "playability and feel" - the "small viola string" was "sloppier" (less "stiff", perhaps?). It definitely was thicker than the Vision I ended up using. The Vision was, yes, "stiff" compared to the small viola. And it really feels much the same as playing on the G - yes - it needs attention - but not overly so, and easy (for me) to play.
As I say - I really have no concrete idea about their fundamental (like that? LOL) differences, a violist may have a better comparison to make than I. But equally, it may just be the string type and manufacture.
I dunno, that really doesn't help, does it ?
*** EDIT *** I forgot - I meant to say, I have a fiddle strung with D'Addario Octave violin strings G2, D3, A3, E4 - and the low G ( oh and the other strings - but the G especially ) behaves like the "short viola C". This is not an issue on that instrument - because ALL strings are looser/lower tension and the bowing approach to the entire instrument is naturally different. All of the octave strings are less responsive than their normal violin equivalents, and indeed demand attention to bow weight, pressure, angle, and lane to get them to respond as fast as possible. The playable repertoire on these strings ( for me ) favours the slower melodies. Faster pieces are of course possible, but, you need to be accurate with the fingering (little opportunity to rapidly pull-in a slightly badly intoned note)
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)

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GregW, AndrewH, BillyG, Gordon Shumway and cid -
I really value your viewpoints - thank you! You've all given me cause to research more.
I found that the VSL (vibrating string length) on a 4/4 violin can vary between 325mm and 330mm.
If an instrument has a longer VSL it means you must have higher tension to bring it up to pitch. Now I start to understand more differences in sound quality - manufacturer's string VSL vs actual instrument VSL. Seems each manufacturer of violin/viola strings has their own idea of what the VSL should be, so there can be a lot of variables to consider. "After' string length also effects sound properties, doesn't it?
Pirastro bases their 4/4 violin VSL to only be 325mm - their viola VSL is 370mm for 4/4 and only 314mm for 3/4 or 1/2 scale. My "Mortimer" is also only 325mm.
Usually, I'm finding 4/4 violin VSL is rounded off to 13" (328-330mm). That's what Helicore info says & that was my original C string. The Zyex Short Scale Viola C string info "says" the same.
I did notice I had to wrap the Zyex C a few more times on the peg past the silk wrap - maybe because not all 5-string violins/violas use the same peg position (mine is the closest to the nut)? The syn core strings are definitely fatter than metal core strings.
I just want to be able to have "Mortimer" sound warm to me in the house & let me enjoy playing some insanely brisk folk music, too - in spite of the reviews that say my carbon composite A/E sounds best plugged in (I have no doubt). It will still be some time before I want to explore all those "electrifying" possibilities.
So, to be honest, with all the shipping problems/delays we've been experiencing because of Covid-19, I really only wanted to check Fiddlershop and Amazon for available C strings. I know I could've widened my search, but the more I looked, the more I got discouraged. I think most of this info will probably be even more relevant to me in the future (as I refine my tastes).
- Emily

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Actually it's yet more expense, I've just realised! Violin strings can be expensive, so sets of 5 strings must be very expensive. I'd better keep that in mind before buying a Yamaha YEV5!
Thomastik do an F(6) string too.
Here's a small amount of info. I apologise that it's a competitor, Pierre.
https://www.thestringzone.co.u.....av-5-6-etc
https://www.thestringzone.co.u.....f6-strings
Actually, your website may have a bug, @Fiddlerman - the check-boxes should probably be multiple choice (e.g. C strings and F strings), but they only allow single choice.
https://fiddlershop.com/collec.....g_f-string
https://fiddlershop.com/collec.....g_c-string
Amazing - you can even get a low Bb (7) string for a violin (the website says B, so I thought it would be a high B (0), as if your dog didn't hate you enough already!)
https://fiddlershop.com/collec.....g_b-string
I'll leave readers to do any other filtering they want.
Andrew
Verified human - the ignominy!

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cid - Thank you! Pierre mentioned (in my A String thread) he thought the Zyex Short Scale Viola string (I said I was thinking of trying) might be a good idea, otherwise back to the Helicore (I didn't like). I hope I said (in the 1st post of this thread?) how happy I am with the Zyex compared to the Helicore - it's just so different it took me by surprise, even though they state they have the same "vibrating string length".
Gordon Shumway - Thank you! I should have stated I had trouble looking for a warm Synthetic core C string - not metal core or octave strings. I'm matching to Virtuoso D, G & Obligato Chrome A - also the (warm) Pirastro "Gold Label" E. Fiddlershop violin C's are all metal core.
I may change my mind about steel core strings if I decide down the road to play my A/E plugged in more than not.
I haven't had a lot of luck finding "viola" string tension let alone "Short Scale viola" string tension for individual brands (in lbs - not the vague "light, medium or heavy") to be able to compare with the "violin" C strings. " violinstringreview.com has great info on GDAE violin string tensions (in lbs) but I have found nothing to compare for the C string.
- Emily

AndrewH said
Those really low strings have to be for electric violins, I assume? I can't imagine low F and B-flat strings sounding good on an acoustic instrument that small. The viola is already too small for its range.
Not necessarily @AndrewH - yes, absolutely, the violin (and viola on lower strings) does not have a body resonance that far down - absolutely agree. But, my investigations with octave violin strings ( on a normal 4/4 violin ) gave me insight as to what is happening. I made a video-report (it's not on you tube) - but - I'll go locate it and post it later. It is interesting - in a rapid summary - it shows that the string fundamental (as part of the overtone series) is EXTREMELY LOW (and, quantifiably too low compared to the level of the harmonics to be heard - but - you do indeed hear it) The video describes what's happening. Can;t find it on this machine ATM - it's archived - I'll post it later.... It's interesting....
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)

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ELCB said
I should have stated I had trouble looking for a warm Synthetic core C string - not metal core or octave strings.
I suspect that, unless otherwise proven, a viola string would be best. It will have to be a short one or a high tension one (the violin's shorter scale will lower the tension).
Andrew
Verified human - the ignominy!

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Gordon Shumway - Yes, I'm suspecting that this "medium tension" Zyex Short Scale viola string has a lower tension than if it was a medium tension "violin" C string (approx same vibrating string length). I just haven't found that info (in lbs) and "medium" is an extremely vague term, differing greatly between strings and Brands. Makes it even harder to find a good match to my other strings.
- Emily

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FWIW, the Vision strings are excellent. I've used them since 2017 on both violin and viola, though I don't currently have them on my viola as I'm taking advantage of the shutdown to try some different string sets.
Another short scale viola string brand to look into is D'Addario's Kaplan line. There are three different Kaplan strings: Forza (steel), Vivo (bright synthetic), and Amo (warm synthetic). All three are available in short scale, though Southwest Strings is the only online shop I can find that sells short or medium scale. The tension chart for Kaplan strings was a bit hard to find on the website, but I can go look for it if you'd like.
I'm currently trying out Kaplan Amo on my viola; the tone hasn't settled yet, but I'm quite happy with the response.

AndrewH said
FWIW, the Vision strings are excellent. I've used them since 2017 on both violin and viola, though I don't currently have them on my viola as I'm taking advantage of the shutdown to try some different string sets.
.....
I'm currently trying out Kaplan Amo on my viola; the tone hasn't settled yet, but I'm quite happy with the response.
I first met the Amo (violin of course) strings when I hosted The Traveler - they were new as installed by Fiddlershop before the instrument was dispatched. I played the instrument a lot, and about 4 or 5 weeks later, they were well broken in. I liked them a lot, and indeed, purchased a set for one of my own fiddles. I found the E a tad over-bright - but - that was to my ear and probably me being a bit too choosy, and generally preferring the lower-registers LOL
Currently, they have been swapped out as it happens for some investigations on sets of various "slightly used" different string-sets I recently obtained!! ( See what we spend our time on, when we could be doing something more useful - like actually studying and learning new pieces!! Hahahaha )
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)

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