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Im definately giving the Zyex a try next go around, Christmas I think. What I dont get and will definately ask about when time, Why the difference? or Whats the difference? is it that one brand has a preferable tone to a certain style? I dare say that many of the artists use or prefer a brand due to the free strings and finanacial support (if any). Like in the HHahn video where she wont divulge the brand of chin rest cause she uses whats right for her. Really? I bet if a chinrest sponsored you youd divulge that info. just sayin. Im holdin out for my contract with Rolex. -pfish.
"Please play some wrong notes, so that we know that you are human" - said to Jascha Heifetz.

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I have the D'Darrio Pro-Arte on Ole roy, but in all honesty...I am not a big fan of the sound. It may just be my violin. I like them alright, but I think when i get to getting my CM in the fall, (hopefully), I will try the Zyex. I want that classical sound, not the fiddle sound. Is Zyex good for the CLassical sound or something else better?
"Everyone is a genius. But if you judge a fish on its ability to climb a tree, it will live its entire life believing that it is stupid." -Albert Einstein

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cdennyb said
gkeese said
I have the D'Darrio Pro-Arte on Ole roy, but in all honesty...I am not a big fan of the sound. It may just be my violin. I like them alright, but I think when i get to getting my CM in the fall, (hopefully), I will try the Zyex. I want that classical sound, not the fiddle sound. Is Zyex good for the CLassical sound or something else better?I'm no expert of course but look at the names of the strings used in the original post I did. I'd have to say 90% of those players are all classical so if you want a "true classical" sound... pick some of them...but you CM should come with a great set of strings already, so the only thing you might do is fit 'Ol Roy up with a set of Zyex and see if they sound like you expert. Also, the trace from 'Ol Roy shows a little room for adjustment improvement as well...so changing strings may not give you all of the sound and type of tone you are seeking, but the CM should.
Well I was going to have Ole Roy as my Fiddle and the CM as my Violin. (I know technicaly no difference, but you know what I mean.)
I want to learn classical music more than folk or "fiddle tunes." I guess i amjust more into classical because I like Classical/Rock crossover. So i gotta learn Classical first, then add in some guitar and drums and Iam the next David Garrett. (Ya know, except for the beer gut, lack of talent and southern twang when I speak!)
"Everyone is a genius. But if you judge a fish on its ability to climb a tree, it will live its entire life believing that it is stupid." -Albert Einstein

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I was told by two different luthier's that "Dominant" string's are much overated. I prefer "Zyex" with the "D'Addario" Kaplan gold plated E string. With the standard E that come's with the "Zyex" set, I wasn't getting enough volume from it and by moving the sound post to increase the volume of the E, changed the sound of the other four string's.
@ Denny: What are the master's of today using now. Most of the stat's you gave were from the '50's', '60's' and '70's'.
Like you said, it's really hard to determine which string's are the best as every instrument play's different. When I got my CM last year it came with "Overture Ultra's" which I changed immediately to "Zyex".
"Zyex" for me.
Ken.

Member
Well, I don't play or follow very much classical music. I have a fiddle to learn Old Time fiddle tunes and Blue Grass. I purchased the Old Fiddler line for my fiddle and they always stay in tune for the most part. I live in the Chihuahuan desert and it is extremely dry here with an average of 10 -15 percent humidity. When there is rain the humidity skyrockets to 50 - 60 percent. So, a little variation does happen by a few minute degrees on my electric tuner. Perhaps for those who make thousands of dollars per performance and have the ear of a cocker spaniel, that may be a huge difference. For me, the beginner and Old Time fiddle tune lover, it's just great. For now.
Siarl

Member

Strings can have very different effects on different violins, and there's a lot of subjectivity, but I think one of the reasons Dominants are often used is because they're considered middle-of-the-road in terms of balance. Someone with a perfect violin (say, Perlman's Strad and Guarneri) might not need to tweak their sound much, while for beginners it provides a baseline for players to know their violin's "true" sound.
Shar music has a very useful chart showing how many of the different strings sound relative to each other: http://www.sharmusic.com/Pages.....o/Strings/
I started on Preludes, switched to Dominants and Gold Label E for 9 months or so, and as of the past few weeks have been trying out Infeld Reds. My current primary violin, a 1930s factory Laberte, is bright and nasally, as French violins often are, so I figured I'd give the "darkening" Infeld Reds a try. So far, they generally sound more pleasing than Dominants, but maybe a little too mellow. The G string has less of a metallic sound than the Dominant. The E string is less sharp than the Gold Label, but has a tendency to maybe be too sensitive and unstable. I've accidentally bowed blank whistles on it a few times now.

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So I spent way more than I should have today, but I bought evah pirazzi's with gold e for $69. Supposedly that's the local favorite combo. I'll never see them at that price again so I figured what the hell. The problem I have is that I have a good ear from years of piano regardless of how good/bad I am at the violin. So even though my fingers can't keep up all the time I can hear every little mistake I make or the difference in strings. I have to say that I've only played on these strings for 5 minutes but they are awesome. I've used Thomastik's dominants, reds, rope core super flex (my fav) but never tried out any Pirastro strings. Figured I'd give them a try. I tried out the Tonica's and didn't really like them so I went straight for the good ones. Yay for local sales! This could be a good thing since now I'll feel guilty if I don't practice...
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