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Hi Pierre,
Of course, it's always a pleasure watching you review new instruments; especially when you do comparisons. I thought I'd ask you a few questions about the newest instrument line you've added (Holstein Heifetz).
Feel free to answer them at your leisure:
1) Can you explain what you liked about the Holstein Heifetz violins that convinced you to start carrying their instruments?
2) The Holstein Heifetz is now the 2nd most expensive violin you sell. You are always price conscious with the instruments you sell. What are the characteristics in this line of violins that a customer would fall for that may be missing in other comparably priced violins?
3) You've stated that the Holsteins are benchmade. Are they all made by the same luthier, or is it similar to MJZ where a group of experienced luthiers work under a master luthier?
4) Each violin is unique, even when made by the same luthier with the same wood. Putting that to the side for a moment, do you notice any differences (tone, varnish, setup, construction, etc) between the Holstein Heifetz vs MJZ and Scott Cao?
5) How did you encounter the shop that makes this instrument? Was it another case of a shop sending you violins to try? Or was this situation completely different?
6) Here's a pretty hard question for you. You're about to play the Sibelius concerto for President Obama and other heads of state. Your personal violin has just been stolen. You call your son at the shop to have him bring you a violin. Which violin would you tell him to bring?
7) Do you ever attend violin making competitions?
... I think that's enough Again, no rush. I just like to get pick your brain because you express yourself quite well. Also, violins in the $3K-7K range have exploded in popularity for folks not quite fortunate enough to buy from the likes of Joseph Curtin, David Burgess, et al ...

@Bunkei: In case you didn't know, Pierre's last name is Holstein.
I was digging around, "YouTube" this morning and found several video's of Pierre playing (other than what we see here in his instructional videos).
One thing that caught my attention was a comparison between Pierre and Jascha Heifetz.
Here are two video's, one of Pierre and Heifetz playing the same song.
I noticed that in Pierre's video his left thumb never comes from under the violin neck, but Heifetz left thumb (at times) sticks way above the the fingerboard.
Now I don't feel too bad when my thumb protrudes above the fingerboard.
They are rather lengthy.
Ken.

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Ahhh - great thread... and precisely why, I cannot quite put my finger on it, but the "Young Fiddlerman" reminds me vaguely of Commander Data from Star Trek ( Next Generation ) - - sorry Pierre - I was of course just kidding about that !!!!!! - your ability somewhat exceeds that of Brent Spiner !!!!
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)

Member

Fiddlestix said
@Bunkei: In case you didn't know, Pierre's last name is Holstein.
I was digging around, "YouTube" this morning and found several video's of Pierre playing (other than what we see here in his instructional videos).
One thing that caught my attention was a comparison between Pierre and Jascha Heifetz.
Here are two video's, one of Pierre and Heifetz playing the same song.
I noticed that in Pierre's video his left thumb never comes from under the violin neck, but Heifetz left thumb (at times) sticks way above the the fingerboard.
Now I don't feel too bad when my thumb protrudes above the fingerboard.
They are rather lengthy.
Ken.
Thanks Ken for the info about Pierre's last name. Now it makes total sense!
Thumb placement in relation to the fingerboard wildly varies from one player to the next. My thumb placement is definitely similar to yours and Heifetz. It sticks way above the fingerboard. However, some violinists have their thumb directly under the fingerboard, and never moves to the side of it. Look at Anne Sophie Mutter's hand placement for an example. I remember seeing one of my classmates (who I admired) with a similar placement and tried it myself. It was the most uncomfortable thing EVER and wonder how she ever could stand playing in that position for more than 5 seconds. Thankfully my violin teacher at the time set me straight.
Thank you also for the videos, and it's fascinating to see the differences in interpretation. Pierre plays some of the triple stops in reverse vs Heifetz. Loved it!!

Member

BillyG said
Ahhh - great thread... and precisely why, I cannot quite put my finger on it, but the "Young Fiddlerman" reminds me vaguely of Commander Data from Star Trek ( Next Generation ) - sorry Pierre - I was of course just kidding about that !!!!!! - your ability somewhat exceeds that of Brent Spiner !!!!
Ah yes, Handel's Passacaglia (sp?). Have you heard Perlman/Zucherman play that piece? It's absolutely divine:

Member

Bravo! Thanks for the answers @Fiddlerman !
@fiddlestix was kind enough to tell me that Holstein is your last name, which really speaks volumes for this maker. To put your own name on anything you sell .. there is no other way you can display more confidence in a product.
And yes, I'm interested in the Heifetz. The comparison(s) you did with the Heifetz/Plowden vs MJZ 925 vs Scott Cao was quite eye opening. The difference in the timber, particularly in the middle (D and A) was quite noticeable.
It's a hard decision because the 909 has sentimental value as it's one of the last violins that bears Mr. Zhu's signature on the certificate.
Just to make clear: I LOVE my violin. I have said and keep stating that it is unbelievable the power this violin has. It is a true professional, and would not hesitate to recommend it. Heck, I'd recommend it to famous violinists who perhaps wants a second instrument in case their prized Strad or Del Gesu is damaged or stolen (Heaven forbid).
However, I feel obliged to support up and coming makers who make instruments that affordable to the masses, but can compete with the likes of the established names that are 5x-10x the price. I always felt that the well known makers should make instruments for the next generation of violinists without the huge price tag. Perhaps they could use slightly more inexpensive wood, etc so it doesn't affect their ability to sell their coveted flagships. As it stands, I will support makers that may not have the recognition, but the quality is no less impressive. At the same time, they're not looking to gouge the consumer.
Decisions ... Decisions ...

New member

Just saw this post and checked out Fiddlershop. Look like there are now 4 different Holstein violins, 3 of which are priced in the higher range, are they all from the same maker? Fidderman, can you comment on those 3, what are some differences between them? Are you expecting more models from this maker?










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New member

That's terrific, looking forward to all the amazing instruments that are being offered. Pierre, do you find certain sound characteristics follow the instrument they copy (ie do all Plowden violins sound alike vs Heifeitz vs Pannette) or are the sounds more dependent on the individual instruments? Do you have a favorite Holstein so far?
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