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The tips I found most useful when starting out my vibrato journey on violin were these:
Make sure there's a gap between the neck of the violin and the hand. It's pretty much impossible to do a vibrato with the side of the finger glued to the neck.
Find a comfortable thumb position that doesn't create tension. This depends on the size of your hand and shape. The thumb position might vary depending on what finger you are going to vibrate on.
Lastly, start out slowly with a metronome and gradually speed up. This is probably the best one for me, because suddenly it just clicked.
'Armed with theory, practice becomes meaningful. Through practice, theory becomes fulfilled.' - Egon von Neindorff.

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It took me 6 months of daily practice to get oboe vibrato right, so I'm going to assume I'll need that much time on violin.
But I am cynical about the "finger, wrist and arm" business. Not that they exist, but clearly they need interpreting or being taught by a proper teacher, and I suspect they can mislead you about how to go about them. Clearly relaxation is important, and any interpretation of them that leads to stiffness is wrong. Keeping the entire arm rigid and vibrating from the elbow can't be good, and clearly a beginner is not going to go for finger vibrato.
My interpretation then is that the whole arm should be a relaxed elastic system with every joint flexing a little (in fact my teacher mentioned flexing the first tip of the fingers. Next time she tries that one, I'll have to warn her that she has to take my arthritis into account!). Then if you feel like partially stiffening the elbow or the wrist or the fingers, redistributing the elasticity differently over the whole arm, that's what I feel is in keeping with the general approach to technique that I have been taught since my first piano lesson in 1970 or whenever it was.
That's only my theory, but at least I expect to avoid injury if nothing else!
I have another theory that it might be better to listen to singers' vibrato than violinists' for style, which segues nicely into this: -
HP said
start out slowly with a metronome and gradually speed up. This is probably the best one for me, because suddenly it just clicked.
This is a good suggestion, I think. I suspect there's too much overfast vibrato in the world. In addition to speeding up, make sure you can always do it slowly. Same goes for trills - some people's trills are too fast. These used to be known as "doorbell trills" or "electric bell trills".
Andrew
Verified human - the ignominy!

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cid said
I also had the Vocal Pitch Monitor App helping with my vibrato practice. I had a fairly productive vibrato session.
I think this might lead to a tight and narrow vibrato, which by itself isn't bad, but it's a good thing to keep in mind. There's different types of vibratos and you use them for different expressions in a piece.
'Armed with theory, practice becomes meaningful. Through practice, theory becomes fulfilled.' - Egon von Neindorff.

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Gordon Shumway said
This is a good suggestion, I think. I suspect there's too much overfast vibrato in the world. In addition to speeding up, make sure you can always do it slowly. Same goes for trills - some people's trills are too fast. These used to be known as "doorbell trills" or "electric bell trills".
One thing I've often seen with self-taught string players and impatient beginners is what I've started calling a "twitch vibrato" -- an extremely fast, uncontrolled vibrato that trails off quickly because it simply can't be sustained. If you want to be able to continue vibrato until the end of a long note, there are no shortcuts: you have to learn to do it slowly. Eventually, you'll want to be able to vary the speed and width of your vibrato for musical expression.

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@Mouse
One of the most useful and well-explained videos on learning and developing vibrato is:
The trick to learning vibrato is slow vibrato... but pay attention to the video. He explains how to gradually speed this up.
He has 3 exercises that specifically address consistency, smoothness, and even vibrato.
- Pete -

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Honorary advisor
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cid said
@Pete_Violin, right now I am working on cello vibrato. Not doing it on my violin yet. The cello is a different movement, from what I can tell.
@Mouse
Yeah, I don't know of any cello vids that show great vibrato help.. sorry
BUT, this is a fantastic video. I do recall seeing this back in the Fall when I purchase a violin. He has more than one video. I had them bookmarked with an old phone. Then I forgot all about his videos. He explains it so well. And he makes it make so much sense. Will have to do it again. Thanks for posting that. I really love his videos and everyone trying to learn vibrato should check this out.
I am going to check out that book. I think I checked out that book before, too. Ever got it though. Not sure why. Will find out if it was too much money or what when I check.
I have the book.. It is more of a reference, something that you would select specific exercises to work on when you need them. Very well done, but a bit advanced for my level, although the vibrato exercises are great especially with the video to show you exactly how to do them.
I will be starting violin lessons again this week. Will be alternating hour long lessons every week between violin and cello. This week is violin. Thank you, thank you, thank you!
You are very welcome!
So even though it is really for violin, the concept is what I wanted you to see... the way he shows vibrato as a single motion, rather than the traditional 2 part motions that are generally taught. I think it is a brilliant idea and you probably can apply it to cello.
- Pete -

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Dare I say it, but a book on warming up is probably overkill, as is most of Fischer's published material. Ask your teacher how they warm up.
Start with do, re, mi, fa, so, fa, mi, re, do major and minor on the A string to get your hand frame, thumb position and wrist straightness right.
Maybe do Schradieck 1.
If you want to warm up your vibrato, do it in 3rd position.
If you don't know what 3rd position is, don't vibrato.
Andrew
Verified human - the ignominy!
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