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Beautiful playing, I agree with Emily think you really captured it, couldnt tell you if its Scotland though, believe it or not I have only ever been to Edinburgh and Stirling, never been to the Highlands.
Edinburgh is spectacular, very touristy though obviously. the landscape around Stirling, like something from Lord of the Rings, the highlands really do rise straight from the plain. Have to go to the highlands one day my friend used to go every year.
Great stuff, love your vids. Very atmospheric.
Liked the sound of the water, great touch, for some reason reminded of Banshees of Inisherin, was watching that again the other night.
Cant beat a sunny day

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@Mouse I’m working on a tune for the party that’s in Am (same key signature as C) – and I thought after a while of practicing it “Why didn’t I change this to Dm (same key signature as F, which I've played a lot of)?”
So, you’re not alone in preferring other keys signatures (like D & G) that are more familiar. Not just because of hearing it, but also where the left hand prefers to go and what we're more used to seeing on the page.
Characterize people by their actions and you will never be fooled by their words.

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@Mouse -
Perfect tune for this Party!
'Memory' is a great tune - worth keeping in repertoire! It's the kind of tune I'd want to continue growing with, experimenting with expression/dynamics - bow pressure & bow speed changes in those wonderfully loooong, slow, tied notes!
Thanks for sharing this one, Mouse - I enjoyed listening!
About the ease of playing different keys... what octave you choose to play in can make a big difference. Unfamiliar scales can be auditioned on the violin/viola fingerboard in different octaves. Also, depending on the octave, a key might be MUCH easier to play if in a slightly different fingerboard position - instead of 1st, try playing in 'half' position, or 2nd position. One tune (I'm currently playing) is easiest in 1st position when playing in a lower octave/lower strings, but I find 'half' position easiest for playing it in the higher octave/higher strings.
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