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I have the beginnings of calluses, but I'm told they're not essential, and lots of players never get them. A worse problem for me is the nerve sensitivity, particularly in my ring finger. Sometimes it makes me go ... 'ouch' ...
MGN, I found the guitar built big calluses on my fingers, much more so than violin.
Calluses would be a good thing, I wish I could grow them to cover the nerves.
If you think you can, or you think you can't, you're probably right.
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Short term, no, long term yes. I had a beginner friend who played an hour without pain,(with manicure soft fingers no less) and was fine but after that, she began to feel pain. Two sessions later, she was able to play 2 hours straight when she began to develop(not so obvious) calluses.
Side note: I was once crazy enough to sand my fingers after the calluses got too thick for my liking....and immediately tried to play canon in D. Couldn't get past the first 3 phrases of the "chorus"
lesson...don't try it

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In a book called BASICS, the author has a discussion about the finger pressure needed to sound a note on a string. The author leads the reader through a demo which shows that very little pressure is needed, much less than the average player uses.
This is easier on the fingers AND facilitates speed and intonation in contrast to "planting" fingers on "uncooperative" notes. It is hard to correct a note position that is hard pressed to the fingerboard.
The real book sells for about $40
PS IMHO, the lightly pressed note has a better sound quality and I think I know why but I won't get into that.

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Fiddlerman said:
Huey142 said:
I see, so it's better to have it if you have thin skin and never try to sand it. Thanks for answering!
I think what we are really saying is that some people get them and that is OK. Daniel says that you should not try to sand them down if you get them. Others do not get calluses and that is fine too, unless you have sensitive fingertip nerves.
Also, Barry wants you to cut your nails and is pretty sure you wont get man hands.
I believe that summary is pretty close to what has been said here.
LOL. Ok, currently i have long fingernails but when I'm learning I'll be sure to make sure they are always short.
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Barry said:
Overly calloused fingers can be rough on aluminum wound strings, I tore up quite a few A strings in the B position when I first started. I wouldnt worry much Huey, you wont get manly hands playing the violin
Yeah I was kinda worried about having rough hands too but if I really have to have callus with playing the violin then I guess I have no choice. I'd still play it.
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Oliver said:
In a book called BASICS, the author has a discussion about the finger pressure needed to sound a note on a string. The author leads the reader through a demo which shows that very little pressure is needed, much less than the average player uses.
This is easier on the fingers AND facilitates speed and intonation in contrast to "planting" fingers on "uncooperative" notes. It is hard to correct a note position that is hard pressed to the fingerboard.The real book sells for about $40
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PS IMHO, the lightly pressed note has a better sound quality and I think I know why but I won't get into that.
I see. But will little pressure affect the difficulty of doing a vibrato? (I know it's out of topic. It just came across my mind when you said about little pressure)
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Jauniba said:
What's far worse is the violin/viola hickie you can develop under your jaw. Especially if you're in high school. And then when someone asks you who gave it to you and you have to say it's your viola.
And I'm sure everyone believes it, too. Thankfully I haven't had that happen... yet.
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