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Fiddlerman said
OK, I feel that I've given this poll enough time. Also, I think it's easy enough to allow all levels of instrumentalists to partake.![]()
This years Xmas project will be O Come, O Come, Emmanuel.
Now, any suggestions about the key signature before I finalize the parts are now welcome. To be clear, if we modulate, it will be simple, but naturally a bit more difficult than without the modulation. I would modulate up and not down. Just my way....
I suggest starting in Em (one sharp) modulating to Bm (two sharps).
2nd choice would be for Dm (one flat) modulating to Am (no sharps/flats).
Reasons:
Keys other than Em/Bm and Dm/Am will take violin 1 out of 1st position with modulation and/or have multiple sharps/flats that folks are less familiar/comfortable with.
Of the two sets of keys, I think Em/Bm sounds a little brighter than Dm/Am. For Em/Bm, the high notes are D and A for the two keys, (versus C and G of Dm/Am)—I’m sure it’s a subjective thing, but I think my ear prefers the D & A.
I also think the fingering throughout is a little easier with the Em/Bm.
Characterize people by their actions and you will never be fooled by their words.

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Fiddlerman said
I spent a couple more hours on this project this morning. Please understand that I tend to make mistakes because I don't check myself enough. If you see anything that bothers you, please let me know before I start transposing and extracting parts.Also, this PDF score is just for reference. Though you can use it to practice, I haven't finalized the project and am open to all kinds of suggestions. This is just me writing from my own head. There are a few times that I doubled the endings like in bar 13 and in the first and second ending. I'm only doing that so that the click track ensemble sounds more live. If we were performing it with a conductor I would hold one bar longer instead.
I forgot the return repeat from the beginning. Here is the new one.
You've got two attachments there now, Pierre. I can't see any difference, but could you delete one to eliminate the ambiguity, please?
Andrew
Verified human - the ignominy!

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Fiddlerman said
I am close to extracting parts now. …See the draft of quartet, 4 violins, 4 violas, and 2 cellos. …
Glance through the parts and let me know if anything bothers you….
@Fiddlerman,
I played through all four of the violin parts and it all looks good to me.
This is going to be a beautiful presentation.
Thank you so much for all of your work.
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