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@Mouse, I agree with your assessment. She designed it to be easy to make for rental stock (she currently charges £36/month). The purfling groves can be easily added with a Dremel router arrangement, although I think that they could be eliminated for further cost reduction. The scroll adds the necessary acoustic mass counter balance for the fingerboard overhang without time consuming chisel work.
Another thought. I purchased several second hand 14 inch Chinese import violas a while back thinking that they would make mellow sounding violins. Although I still think that, I now wonder if they would make an ideal candidate for the hole in the heart procedure. The fingering positions are obviously identical with a violin and they are inexpensively obtained because of their current acoustic limitations as violas. A potentially ideal doubling instrument.
Success is the progressive realisation of a worthy ideal. —Earl Nightingale.

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@Fiddlerman and others. I have a couple of 14” body violas inexpensively obtained, because I assume that an instrument of this size is not acoustically optimum. However, with the hole in the heart treatment, it may make a worthy doubler and a means where more women can handle the viola. Seems to me that it is worth a shot. Your opinion most appreciated.
Success is the progressive realisation of a worthy ideal. —Earl Nightingale.

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@Mouse and others. Point taken, but I think that women would welcome the improvement and men would abhor their need for it. Perhaps not.
I believe that President Lincoln had a medical condition which give him unusual ligament elasticity. Just the thing for viola and cello players.
Success is the progressive realisation of a worthy ideal. —Earl Nightingale.

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Another development. I left an email with Stringers of Edinburgh for their opinion of doing a hole in the heart to a 14 inch body viola for use as a doubler instrument. They seem to be the only shop (that I have found) that does this modification as a standard item of sale.
I was going to use Corelli Crystal strings to keep in the spirit of the Strad article, but viola examples seem hard to locate.
Success is the progressive realisation of a worthy ideal. —Earl Nightingale.

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I don't suppose the hole in the scroll does affect the sound, I just don't like the look. Curiously, both those instruments appear to have the same hole, yet I don't think they were made by the same luthier, were they? Is one a copy of the other, or is there some background story to the design?
Andrew
Verified human - the ignominy!

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Hi Gordon. From what I have read, the mass of the schroll should be equal to the mass of the finger board portion that extends beyond the neck. In so doing, it increases instrument sustain in the manner of the executive desk toy of suspended metal balls.
Success is the progressive realisation of a worthy ideal. —Earl Nightingale.

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@Mouse and others. Now you are confusing me. Regarding the back facing scroll, it would make positioning The a string in the peg slot very simple. There is nothing in the way of it. On a manufacturing level, if the neck were to be made of two glued widths (which is stronger and less prone to warp), the peg box could be milled away instead of chiseled (much more efficient).
Success is the progressive realisation of a worthy ideal. —Earl Nightingale.
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