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Honorary advisor
Fiddlerman said:
I did it on the plane yesterday. Please enjoy.
@ Daniel - Which Ave Maria, Schubert or Gounod?
I know Schubert, so I'll go with that for now

Honorary tenured advisor
Fiddlerman said:
I did it on the plane yesterday. Please enjoy.
@ Daniel - Which Ave Maria, Schubert or Gounod?
Woo Hoo ... It's exactly what I'm after Pierre.
THANK YOU THANK YOU THANK YOU
If you think you can, or you think you can't, you're probably right.

Honorary tenured advisor
And I've downloaded, brought the file home, printed it and already begun to practise. It's not difficult at all, just have to watch my fingers.
I've also accidentally found a way to record myself. My broadband at home is slower than snail mail, so I go visiting with my netbook and use a friend's wifi. Now I discover the netbook also has a built-in video camera, which my home computer doesn't have, nor does it have a mic.
So when I've got some more practice time in, I'll post a video and ask for critique. Now I just have to get my brain-arm-finger co-ordination together for vibrato without sounding like a dehydrated camel.
Wish me luck.
If you think you can, or you think you can't, you're probably right.

Honorary advisor
Fiddlerman said:
I did it on the plane yesterday. Please enjoy.
@ Daniel - Which Ave Maria, Schubert or Gounod?
Thank you
I was just looking at the piece and I see lots of "upbow" notations. Some are consecutive, is that a tiny pause on the upbow and then upbow the next note? I know you took the time to post the music, then I ask you a bunch of questions. Let me say again, Thank You!
Dave

Y'all can play with the backup audio posted above as a short clip.
@David The consecutive up-bows are intended to drive you bananas Given a few of these you will run out of bow! I've been thinking of getting a longer bow
(There is a legitimate reason for consecutive bows. It is to get the bowing routine back in step with bowing convention ..... like starting the next phrase on a down stroke.)

Honorary advisor
I was listening to Judy Garland, "Somewhere Over The Rainbow" in the car on my way to work this morning and kind of came to the same conclusion. I was imagining myself bowing along with the melody. Ran out of imaginary bow! It became clear to me why the upbow repetition. Just did not know if I was supposed to lift the bow. But I also found notation for that as well, so just play the notes on the upbow, no lift, do not think of it as a pause, just stop start. Thank you! I know you put tons of time into this and I want to let you know I am really having a great time! Brought my violin to work today. 100 degrees in the shade and I am playing "Dixie" in the shade. My crew is certain I have lost my mind! Thanks for all you do, keep up the good work!
Dave

Honorary tenured advisor
... Now I'm not being ungrateful Fiddlerman ... but is it ok if I use different bowings? I know why you've put those in for our instruction, but is it always set in stone that the bowing is as noted? And is it allowed for a little expression, eg rubato?
Humbly yours
Robyn
If you think you can, or you think you can't, you're probably right.

Honorary advisor
I started "Over The Rainbow" last night. Wow, it is all over the place. What I usually do is butcher the song. I play each note, reading from the sheet music. I don't pay any attention to half, quarter, whole. I just get the mechanics of the song down. Where my left hand needs to me where the bow needs to be. Then I gradually begin to play the notes at their assigned values. I get some strange looks from my dogs!
This song is beautiful, I just hope I can do it justice.
Dave

Honorary advisor

Honorary advisor
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