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I am not familiar with that one so cant really comment.
I used Applebaum books to learn the basics, and wohlfahrt for studies, I have a few others as well, but at the moment the wohlfahrt has everything I need, for 3rd position, Applebaum I am using is fifth position. You need to know what any study is designed for rather than just playing through it.
I think there is always a sense that you have to “get through” the music that is in front of you. You see a line of music, & you want to get to the end of the line. A lot of practice is breaking down everything into chunks to work them out, & then putting them back together so that the “flow”.
I would say practice at least a few minutes on the one measure if you are having trouble with it. Practice slow. Play the 4 notes (down bow), then stop. Then the 4 notes on upbow, then stop. If everything is ok, then play it a few times in a row without pausing (downbow 4 notes, upbow 4 notes, downbow 4 notes, upbow, etc.,).
If you’re having trouble with a specific measure (e.g., measure 3, having trouble getting 4th finger to reach that E), & you’ve spent some time on it, its ok to go on to some additional measures to practice.
But come back to it in your next practice session, and spend time on it again. Repetition is important, but sometimes that repetition has to happen over time (i.e., multiple sessions).
This Sevcik is a really good exercise, not just for finger placement, but for bow distribution.
In addition to your finger placement, as you work through each of the 4 quarter note measures, you’re going to get a feel for your bow distribution—how much bow to give each note of the group of 4 so that when you get to the next group of 4, you’re bow is in good position to change direction. You’ll want to have a better feel for this distribution when you get to the 16th notes.
Characterize people by their actions and you will never be fooled by their words.
Brilliant thank you for the advice!! Yes Sharon that one with the E I’m finding really hard but I can really see how doing this is really going to help I’m just finding it hard! And yes I can tell it’s going to help my bow distribution which is another thing I skim over ! I’m not going to get bogged down in these exercises though! I will do everything you suggested !!
Thanks for the replies I appreciate !
I hated "Go Tell Aunt Rhody" for the longest time. Bar 11 is exactly like Bar 3 but for some reason I couldn't get my fingers to cooperate for Bar 11. Bar 2 was bang on every time, but Bar 11? Forget about it because it wasn't going to happen without a fight.
I moved on even though I wasn't as proficient as I wanted to be. 2 weeks later I went back to play it as part of a warm up exercise. There were no problems at all. Not a single misplaced finger or loss of tempo.
I guess that means that if you're reasonably able to do the fingering with good consistency, then think about moving on. Don't forget about the "problem child" just don't obsess on it. Sometimes what you need is time off for your brain to work out the problem and come up with solution you need.