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A few years ago I noticed I was doing something odd. When I was too slow to turn a page, I simply made up my own music until I was able to turn the page. I did know what the music sounded like on the next page but what I played was an improvisation that worked OK, not the printed music.
No big deal or harm done. Then, I would just started to improvise for no reason and I had no idea what such music looked like on paper.
I guess that is sort of a learning curve but I am in awe of the mental role that takes place. Four years ago I would swear that could never happen.
As a generalization I think the violin may require the greatest mental demands.
When you come to a fork in the road, take it.
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I think that you are right. 
I don't know how many times I worked on a concertmaster solo and was completely satisfied with it before the first rehearsal and SOOOO disappointed after the rehearsal. Usually I worked it out by the time concert evening came but the mental demands of playing under pressure change everything.
"The richest person is not the one who has the most,
but the one who needs the least."
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Hey Oliver...that is very cool. All these things mentioned here, well I may not be able to try them yet..(ha ha.including turning a page..ha ha)... but that is a cool idea...a little improv practice between pages.
I have had a piece that I work on often...and a few times I did something wrong and I was able to not stop and get all flustered, I was able to just kind of make a "note, sound " and keep going. As I was doing it, I thought.. "a non player may never have caught that."
Vibrato Desperato.... Desperately seeking vibrato
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