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I had the notion that $400 (or sterling equivalent) was a price-point that suited me. At that price I'm only interested in carbon. There are a few Codas and the Col Legno Deluxe at that price among others. The Col Legno Standard is superb, so I feel that I've found a comfort zone. Then I noticed that the Coda blurb talked of stiffer sticks being easier to control for intermediate players, and I stopped, bearing in mind Peter's bow issues.
The Col Legno Standard is recommended for "advancing or advanced" players, so did I want an intermediate stiff stick or did I want a flexible one? Let's be ambitious and choose flexible. What price and what bows are we talking about for a stick as flexible as a pro's?
Maybe Coda publish a pdf of full technical blurb and I need to download it and read it all.
Andrew
Verified human - the ignominy!

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Gordon Shumway said
... I noticed that the Coda blurb talked of stiffer sticks being easier to control for intermediate players, and I stopped, bearing in mind Peter's bow issues.
Is there any merit in fine-tuning the hair tension to mitigate stick stiffness issues, notwithstanding the obvious limits of limp hair and straightened stick? I am as usual speaking from an engineering standpoint with no authority on bows and their properties.
Peter
"It is vain to do with more that which can be done with less" - William of Ockham
"A crown is merely a hat that lets the rain in" - Frederick the Great

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I was in the violin shop a couple of weeks ago. I had them change my tailpiece to a carbon fiber. while there I checked out a few bows including coda. wanted to demo the luma but they were out. also tried some arcos bows and liked..which brings me to the new model bow fiddlershop has that to me looks like a version of the arcos. looks like an interesting option. EDIT...wasn't an arcos but John Paul..oh well.

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Much like the truss rod on a guitar; it makes you wonder why this isn't a more popular option, but then I thought about the price of high-end bows, and the wonder dissipated. They truly are an art form and the more I learn of them, the more magical they become.
I want to wind back time and be apprenticed to an archetier.
Peter
"It is vain to do with more that which can be done with less" - William of Ockham
"A crown is merely a hat that lets the rain in" - Frederick the Great

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@peter and @Fiddlerman et al. I started a thread on that mutant bow a year ago (see the violin topic area, currently residing on page 15). It was called the Rolland Spiccato Premiere. The original thread contains the patent (I also found a similar patent used with a fishing rod). I copied the photo for inclusion here.
Success is the progressive realisation of a worthy ideal. —Earl Nightingale.

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I was hoping for answers, but I'm going to assume my question was unintelligible.
I looked at the Coda catalogue and decided that the bow that was going to last me the rest of my life might be a Luma or a Diamond GX (although I was hoping for something cheaper).
The problem is, Coda describe the Luma as "light... in weight and character". This "light in character" is kind of damning to my mind, unless it's a poor description.
Perhaps a middle-of-the-road GX would be best.
However, I have seen it written that Coda don't offer enough for the money they cost.
Any views, @Fiddlerman ?
Andrew
Verified human - the ignominy!

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"Light in weight and character" sounds like a bow I might prefer to use to play, say, Mozart. Probably means a bouncier stick with a balance point closer to the frog than average.
Reviews of Coda bows vary. The principal violist of my semi-pro orchestra, who also plays in the professional orchestra here, used a Diamond GX as her main performing bow for years, before recently switching to a JonPaul Fusion Silver (or C.F. Iesta on the European continent), the same bow I use, which is actually less expensive. But the reason for the switch was that she wanted a somewhat stiffer, heavier bow to dig into viola strings more -- this may not be a problem on violin. I would say the Diamond GX is definitely suitable for professional use, at least at the regional orchestra level. Of course it also depends on how well the bow matches your specific violin.
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