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King
( Excerpt from previous e-mail to Fiddlerman. ) ( photos below text )
Before you ask what is this ! ? Let me go step by step.
First, the piece is whittled for a very close fit to my chin/jaw. No discomfort at all.
You can also see that the chin rest has a long taper down to the violin
surface. No leading edge bumps which would urge the violin AWAY.
Rather, the slope creates a long wedge BACK towards me.
The triangular profile from the back also accomodates the jawbone ( left
drop-off ) I believe that can be an issue with commercial CR's.
Maybe the best part is invisible. That is that this configuration has
improved recovery action when things get pushed around. I mean, that if
I am about to "loose it", my chin pressure will act to direct the
violin back towards the neck and collarbone. ( I believe that
mechanical people call this "absolute stability".) In any case it is
very user friendly. I can play for hours and not even know it is there !
I have a second trial going on with my electric but I can tell it is acting the same.
PS Yes, I use a shoulder rest with this CR being that it is very low.
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When you come to a fork in the road, take it.
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King
Fiddleman said that I had posted pictures incorrectly in the past. I'll try again if I can remember his instructions. Check back later. ( maybe 10:30 ).
P.S. No luck. Site says my pictures (JPG) are too big to post from "browse" function because I can not exceed 51.2 KB.
Pictures should be up tomorrow because I will rework them in my other computer photoshop app.
When you come to a fork in the road, take it.
King
Member
I have actually seen chinrests like this before. In fact, I recently got a fixer upper fiddle that had a chin rest just like this actually glued to the top (what a mess lol). The problem I see with this is that the cr offers no protection to the violin. Eventually you would end up removing all the varnish from the chin rest area of the violin. Needless to say, this could be very damaging to the instrument.
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