Check out our Forum Rules. Lets keep this forum an enjoyable place to visit.
I have been working on my bowing over the last couple of weeks.
One of my main goals has been to sustain a long note. But of course there have been other issues to work on.
This is where I'm up to. A bit of critique would be good at this time
Seen it all. Done it all. Can't remember most of ..... What was I saying????
you're sounding great ferret!!! I watched it a couple of times. Your bowing seems to be good from my point of view. You said your goal is to sustain a longer bow note, and i think you're doing a great job! A couple of times you got some squeaks it was because your bow had drifted really close to the bridge, but over all you have some great bows. It looked like you were playing on the edge of the bow hair a bit, by rotating it, I'm not sure if that was intentional to get a softer sound or not, but thought i'd point it out in case it wasn't. Keep up the great work!!!
Lead me, Follow me, or get out of my way!
~General George S. Patton
Sounds really good John. Really nice.
I can see that it was controlled and you were sustaining the notes. Very nice, that is a good song for getting to sustain the notes and it was a perfect way for you to show us your progress.
I am using that song for bowing practice also. (and then I play it about 10 other times because I love it so much).
Cheers. Thanks for posting.
Vibrato Desperato.... Desperately seeking vibrato
Your bowing is pretty smooth and straight. Good intonation too.
I've sometimes done an exercise to play a 30 second note in a single stroke. Does it sound easy? Probably not. Ha ha, it isn't easy.
Being able to play a long note is one thing. Knowing how long to hold a note is another. I would work with a metronome and also do some counting and tapping along with a well-timed recording.
I work on bowing a lot. Seems more than anything else > I always try and do a few quick tunes before I am done but seem to spend most of my time on bowing. It really helps me on the tunes I try at the end of each session. I take it from the tip to the frog > long and slow to a metronome. I spend a lot of time on different styles of bowing also > mostly Viddle stuff. As RosinedUp said > the metronome is the way to go.
Really major improvement, you're getting better each time you do a video. Since you wanted some advice from the peanut gallery, notice that at the very end of the video the bow is pointed back toward your head a bit as your elbow moves forward. In violin bowing, or so says Ivan Galamian, we adjust the direction of the bow in relation to the strings, by moving the elbow forward or backward. If the elbow goes forward, the frog goes forward and the point of the bow goes backward and vice versa. It's much easier to say how to correct it, than it is to actually do it, but knowledge is power -- right?
On the plus side, I'm seeing good wrist and finger flexibility and a generally smooth bow stroke, with not too much upper arm movement so that's good, and it's translating into a much better sound.
A positive attitude may not solve all your problems, but it will annoy enough people to make it worth the effort. ~Herm Albright
Pinkie! Your right pinkie, Ferret. That's time for You to use it since You're seriously working on the bowing. The work you've done is already awesome. But You can make it much better, by using that small finger. It helps with bowing a lot! Especially when You play near to the frog. Some people say that it should be on the stick all the time, others say that one should use it when it's necessary... But it still very useful... if You use it, LOL!
Most Users Ever Online: 231
Currently Online: Andrew Fryer, bocaholly, wtw
Currently Browsing this Page:
Kevin M.: 1969
Guest Posters: 2
Newest Members:Beazelvchuryic, deboravm60, Avrtikspramb, lali4kaTop, elsieuj4, Arthurskica
Administrators: Fiddlerman: 13619, KindaScratchy: 1728, coolpinkone: 4141, BillyG: 2580, MrsFiddlerman: 0, Jimmie Bjorling: 0