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Regulars
I'm getting the same thing - when I get my violin out and play the A string, I can tell if it's flat or sharp. I have to hear it first though - I can't think of the pitch beforehand and sing it. It doesn't work for me on other instruments either, even though I've been playing them longer (piano, flute).
I've tuned my A string entirely by ear and checked with the tuner to find it spot on.
I think we're both experiencing 'standard pitch memory', which is common in professional musicians.

Yup, that's interesting, I find much the same - although I have been fooled on occasion when I go to check - and maybe discover I'm a semi-tone down (oh - I of course mean on all strings not just down on the A or some other string) - so - my point is - even if the A is not 440, nonetheless all strings are still perfect 5ths apart and you get the "wider sound" with inter-string resonances when plucking just a single string - and it sounds just fine.
I appreciate most of us "go to the open A" as the initial indication of tuning when picking up the instrument - and indeed - if the whole instrument doesn't "ring" - something's "out"- could be the A that's drifted - although, it could equally be other strings....
Same thing on guitar - I've seen it "drift" ( through re-tuning because it sounds "out" when I pick it up) to easily a full semitone high or low (again, across all strings, so you have the wider inter-string resonances going on - and the instrument sounds just fine - well - until you try to play against a backing track or with someone else..... then you know for sure - hahaha)
Over time, I am getting quite close to "knowing" A440 - although, as I say, it depends, and if a re-tuning makes the whole instrument "sound right" in 5ths - it could still be out overall, but sound perfect, each string being a perfect 5th apart, with all these lovely, delicious inter-string and body resonances going on.
So I guess, my "relative pitch" is pretty good - and even with an instrument "de-tuned a bit across all strings" - it's gonna sound absolutely fine when soloed.
Besides, not everyone necessarily uses A440. Oddly - I recently came across this interesting little snippet (hahaha, took me 10 minutes to find it again) - A tuning fork that belonged to Ludwig van Beethoven around 1800, now in the British Library, is pitched at A = 455.4 Hz, well over a half-tone higher.
As far as absolute pitch goes - well - I pretty sure I can get close - but I wouldn't put any money on it at all
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)

Regulars
I find I can generally tune by ear, but I don't trust myself. I need my tuner-crutch. However, when I put on new strings, I always ear-tune the A before ever bothering to put the tuner on... I get it where I am familiar with it sounding, put on the tuner and then change the other strings. I don't understand my own logic, lol.
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World's Okayest Fiddler
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Regulars


Yes @gordon schumway - I've had advice similar to that - although to be honest I've never followed it - and - with new strings, I intentionally tighten the first one sharp (oh only half a semitone by the tuner) - and by the time the last string is on - I'll re-calibrate them all (they've usually flattened anyway with the increased overall tension) - and yes - I don't worry about the sound-post dropping - never happened yet - and even if it did - well relatively easy fix and I'd remember not to take all strings off on THAT instrument again LOL ).
I know, I know, not recommended practice.... but I'm impatient when it comes to fitting a new-brand of strings Can't help it...
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)

Regulars


Regulars

I am truly envious of those of you who can tune by ear or on their way to doing so. Don't think that will be in the cards for me... can't sing in tune either
On the other hand, I'm really not a fan of having that little d'Addario appendage on my violin. It lives there permanently right now. Since my iPhone is always near by when I practice (handy metronome app) maybe a tuning app would do the trick? Advantages, inconveniences?

Regulars

I was once watching a TV programme about Gypsy flamenco artists in Spain, and one group of performers featured a guitarist with a Snark permanently stuck on his tuning head. It spoilt the authenticity somewhat, lol!
In a similar vein (but thread-drifting), there's a Tuvan throat-singers' FB page, and they are friends with the Russian Beatles Appreciation Society!
Andrew
Verified human - the ignominy!

Regulars


Regulars

@mookje, I'm betting on the fact that you have a good ear!
@Mouse, Phone battery... sigh, yes.
When I started using that slow downer software, it obviously gobbled up battery life so this is the solution I came up with - A phone clamp attatched to my music stand and hooked up to an outlet with a 10' lightning cable.
The little K&M clip is just to keep the cable out of the way. There are a ton of different clamps available but this one is no muss, no fuss, strong enough for my purposes and versatile within limits. Stage Ninja Scorpion Universal Smartphone Clamp Mount

Member

I think being able to tune by ear is a good thing, if you can achieve it (don't think I ever will), but being able to tell when a string is out of tune, even if just by a tad, is the skill to have.
There are many folk that seem to poo-poo using a tuner, like it somehow diminishes your credit as a musician, but my teacher, who's a great player and has near perfect pitch, uses a tuner. At a bluegrass jam I sometimes attend, I've noticed most of the players, all good and not youngsters, have clip-on tuners. And in December I saw Irish fiddler Eimear Arkins play and her fiddle had a micro tuner clipped on.
I put the tune-by-ear issue in the same category as learning tunes by ear as was traditional in some genres (e.g. Old Time, 'Celtic'). In deep rural areas years ago, there were no tuners of any type, nor probably the ability to read and write, so all was done aurally. Tuning by ear and learning tunes by ear are great skills to have, both of which I'm working on, but I'll continue to use all the 'tools in my toolbox'.
And, all that aside, when I wanted a clip-on tuner, it was a trip to Fiddlershop! 😀🎻
Bad times make for good stories.

Member

I haven't been to many (OK - any) professional orchestra performances where the string section whips out their tuners when the concertmaster calls for the "A." So l think that learning to tune by ear is definitely a skill to be acquired. However, for the moment, I have other fish to fry, so I will rely on the tuner.
I have seen a number of pretty high level (even pro) fiddlers, bluegrass players, etc. play with their tuners on. My teacher discourages this, so when I practice alone, I take the tuner off, and try to listen carefully to my intonation. It is nice, however, when playing as a reasonably slow pace with the tuner on to see the device mostly flashing green!
Dennis
If I don't have time for a short post, I'll write a long post - (adapted from Mark Twain)
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