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Groovey Stuff
Metronome, rhythm, and vibin' stuff
Topic Rating: 5 Topic Rating: 5 Topic Rating: 5 Topic Rating: 5 Topic Rating: 5 Topic Rating: 5 (14 votes) 
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ABitRusty
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depends on what youre trying to do...presonus is more if a hybrid ...and aimed more for recording real instrument multitracking..ablelton is more of a live performance looping kinda thing.  both are DAWS..  only you will be able to decide whats best.  I dont do much looping...for what i come up with ..I do things like creating a track for my microphone turning it on hitting record and playing straight through then hitting stop.  if i want another part ill create another track and record that...so on so forth..  tons of midi inatruments available..so some tracks are sampled instruments..some of those are included in software some added later from 3rd parties.  but for recording a live instrument i really think presonus is better suited but again  its what you think youll be doing..  i had both free as included software with something i bought..tried both and settled on presonus.

check out joe gilder in youtube...look for his tutorials.

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ELCBK
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@ABitRusty -

Thanx!  I'll check those out. 

Suppose I'll just have to try them both - each has enough free stuff to at least try out.

Thought all the Cat Lovers here would get a kick out of the "How to Make Music like Amelie Lens" video. 

...guess I should've mentioned cats. (lol)

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ABitRusty
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some articles of interest that may be helpful

Bought an interface? now what

Differences in DAW stock plugins

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ABitRusty
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I'm starting to think "Ableton Live" might be better now, for creativity.

 creativity really isnt inherent from one daw to another...ive seen some pretty amazing stuff from a violin and multieffects pedal on the street and youtube.. its more about what workflow you decide to choose.  theres a lifetime of possiblities in each approach.  depends on the person and the goals.  from what youve previously mentioned it may be to your advantage to utilize the spark by itself for a while, then move what youre doing over into abelton using spark as interface.  i think it will work in abelton as an interface.  if its bundled with it then it will im sure.  i believe that spark phone app allows you to setup loops in the spark.  but i dint have ine of those so cant say for sure.

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JohnG
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You folks are driving me nuts! lol - Just downloaded Studio One Prime, mostly so I can start learning it, and to create MP3 files to playback on my phone and using my hearing aid bluetooth to listen and hopefully play as a duet with myself to better get time and intonation down properly. Also am currently looping the tune while I type this so it, hopefully, will embed itself into my memory. Eventually I want to make backing tracks using my midi keyboard!

So much to do, but still need time to practice!!!!!

The old curmudgeon!

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ABitRusty
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JohnG said
You folks are driving me nuts! lol - Just downloaded Studio One Prime, mostly so I can start learning it, and to create MP3 files to playback on my phone and using my hearing aid bluetooth to listen and hopefully play as a duet with myself to better get time and intonation down properly. Also am currently looping the tune while I type this so it, hopefully, will embed itself into my memory. Eventually I want to make backing tracks using my midi keyboard!

So much to do, but still need time to practice!!!!!

  

Sorry @johng we or at least I cant help it.. geek out on the stuff and it DOES help me practice.  My hobby what can I say.  Yes.. the extra whiz bang stuff can take away from practice while you get up to speed on it but after a few times of recording its just like making a video..  have fun  oh and by the way.. you dont need much intonation help.. at least from what Ive heard.  good playing.

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JohnG
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GregW said

Sorry @johng we or at least I cant help it.. geek out on the stuff and it DOES help me practice.  My hobby what can I say.  Yes.. the extra whiz bang stuff can take away from practice while you get up to speed on it but after a few times of recording its just like making a video..  have fun  oh and by the way.. you dont need much intonation help.. at least from what Ive heard.  good playing.

I'm really not complaining! And thanks for the intonation comment. I don't want to take over this thread, but I really found it fun, interesting, and of immense help! See my blog if interested in my experience.

The old curmudgeon!

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ELCBK
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More Groov'n!

Here's a fairly recent Adam Neely video - as featured guest of musician Sarah Jeffrey. 

I've always loved Medieval music, but never had a clue some of these complicated rhythms existed in written music back then!  ...and it's a shame, but I can't say I like these.

'Polyrhythms' vs. 'Polypulses' vs. 'Phasing' - all blew my mind!    

'Prolation Canon' - different voices play the same melody, but at different speeds & proportions - crazy! 

Proportions of Seven - 7:4, subdividing by 3! 😵 "Without a metronome it's not that hard - you're just doubling speed, halving speed, or choosing whether to subdivide into 2 or 3." (Sarah Jeffrey) 

https://i.pinimg.com/originals/d7/d4/29/d7d429894225f32b0d693827225a0cdc.gif

MATH! 

There are related techniques in Indian Carnactic music! 

Player pianos hold a special place in my heart.  I did not know that Conlon Nancarrow was a composer (20th Century) that wrote hard to play proportions (π(Pi)/e?) for the Player Piano. 

LOVED - "If you write a Polyrhythm you better be able to play it just as well as you expect your players to play it!" (Adam Neely) 🤣

 

...not quite getting the 'Nested Tuplet' thing - even after Adam explained. 

🤔 Think my Daughter had a "Nested Tuplet"... and Twins! 

- Emily

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ELCBK
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This is a GREAT THREAD - definitely worth starting back at the OP! 

Rhythm, GROOVE - it's what music is ALL ABOUT!  

 

...just to prove my point - and maybe a bit more...

 

 

🤣 Rushad Eggleston is GREAT! 

...my laugh for today. 

- Emily

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ELCBK
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I STILL LOVE GOING OVER THIS THREAD - GREAT RHYTHM INFO! 

I STILL find the Irish Reel rhythm exercise in post #3 - challenging!  🤣 

I STILL love the rhythms in the Zatoichi clips, too!

"Unsquare Dance", but this is a Song version by Chris Brubeck! 

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ELCBK
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SWING!

I'm still having a little trouble sometimes, distinguishing between all the different types of 'swing' - especially 'East Coast Swing', 'Western Swing', and 'West Coast Swing''Boogie-Woogie' is also a type of Swing - thinking maybe closest to West Coast type. 

I'm sure the only way I'll get better, is listen to more! 

 

 

 

 

I think the important thing I'm taking from this - maybe try to count slowly while learning, but I have to learn to 'feel it' from listening, because I don't have time to think about counting while playing. 

Listen...  Listen...  Listen...  Listen...  Listen...  Listen...  Listen...  

https://i.pinimg.com/originals/5c/4e/f6/5c4ef6594f397e8dcf6471046d413d70.jpg

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ABitRusty
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I really like experimenting with different drum loops... rhythms.. opening presonus especially and loading up ezdrummer and just losing an hour or so trying different drum kits and beats... so on so forth.  But lately..and especially after getting a real one thanks to @SharonC and her topic got me into exploring the wittners. ive enjoyed the more real world tangible device.   something about it... just really nice

if your starting off... dont put off playing to a metronome... go slow at first.. REALLY it helps.  Try a drum loop at first if its easier... but eventually try working in a metronome or click track.

 

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ELCBK
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I really love Funk grooves, especially for practicing on the 2 & 4.  

Funk Drum Metronome Loop 80 BPM 

 

Drum Only Funk Groove 80 BPM 

 

Latest groove I'm working on is for Damian McKay's "Bridged" Set. 

Here is the original tune slowed to half speed - for learning... sorry for the view, recorded by phone camera for this easy reduction.  

 

7ea7c86b67a9fdccaf9fcbf0a2c18bde.gif

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ABitRusty
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Theres many muscians I like and when i listen to each play the same tune..its wow.  each has their feel or groove.  neither is wrong or right to me... just great.   best i can describe is one will have a feel that naturally has that down tap on the floor as music plays and your body just feels in sync with groove..its the pull of gravity and a kind of sinking in the floor and releasing you to the next swell or pulse in the tune.  its kinda mesmorizing.

the other has a feel like as you raise your foot in the air with the music theres some air pushing you up. and forward momentum.  kinda like a lean.  its kind of a floaty or loopy style.  you land with the groove but its almost like on your toes and then that air pushes you up and with the next pulse.

these are descriptions my own that probably do better to confuse than explain what i hear/feel..both styles of playing are great and have their own groove and its hard to put finger on what it is... but each has IT.. lol. and as i have tried to learn the stuff.. how to come close to something that approaches EITHER..has been so interesting and fun..challenging ..idk.. theres days i feel like i lean one way and then next i can hear the other way in my head.  

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ELCBK
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@ABitRusty -

Yes, I've definitely been keeping my ears open for how different grooves are played & feel getting 'into' a great groove is VERY mezmerizing!   

I'm getting pretty good at internalizing drum loops - as long as they aren't too complicated.

Since I'm not using DAW when I'm checking out drum rhythms for a tune, I try to pay attention (in my comparisons) to where I feel the drive is happening AND if it's enough.  I hear what happens when a groove is a little ahead (or behind) the beat, but all I can do is come close in adjusting tempos (to get what feels right) when comparing YT drum loops to music videos.  I've used drum loop apps, but YT videos make it easier for me to analyse the groove. 

For the slowed down "Bridged" video, this Funk Drum Groove at 70 BPM still needs to be slowed down to .85 to even come close to matching.  ...of course the "Bridged" video can also be sped up.  Not sure if it's any easier (or less time consuming) to use DAW for auditioning a bunch of drum grooves - I'm pretty quick at the method I'm using to narrow down choices.

So... I can keep a groove in mind when learning a tune by ear (just had to loop it for a bit), but I ultimately have to learn the tune well enough first (from whatever recorded source I'm using), if I want to match my playing to a specific groove recording. 

Yeah, THIS IS ALL BACKWARDS, but is helping me get better/feel more comfortable laying down my own groove on a looper - I'm more focused.  Still have the new 'Spark 2' amp coming next month - think it might make it easier to add what I want... supposed to be able to do more without relying on DAW.  Not sure what the new A.I. is capable of, but sounds like it will learn my preferences - which is kinda funny since I, myself, am not completely sure of what I want. 🙃

Discovering how the right groove can transform a tune - is magic! 

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ABitRusty
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😃

Haha.. so using drum loop videos..drone videos..stuff like that i do alot.. or have anyway.

i think i was posting 54 not really as a followup but just i thought ive been having.  its all related to groove or whatever though.  lately ive been using the tempi a bunch and really liking that.   i kinda think of the DAW as more of a canvas in that ideas can be recorded easily and saved for later.  different instruments easily added..yadda yadda.

but really was just sharing that I seem to sorta group what i listen to into two major groups described in post 54.   Think regional fiddle styles 😉🙂

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ELCBK
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ABitRusty said
Theres many muscians I like and when i listen to each play the same tune..its wow.  each has their feel or groove.  neither is wrong or right to me... just great.   best i can describe is one will have a feel that naturally has that down tap on the floor as music plays and your body just feels in sync with groove..its the pull of gravity and a kind of sinking in the floor and releasing you to the next swell or pulse in the tune.  its kinda mesmorizing.

the other has a feel like as you raise your foot in the air with the music theres some air pushing you up. and forward momentum.  kinda like a lean.  its kind of a floaty or loopy style.  you land with the groove but its almost like on your toes and then that air pushes you up and with the next pulse.

these are descriptions my own that probably do better to confuse than explain what i hear/feel..both styles of playing are great and have their own groove and its hard to put finger on what it is... but each has IT.. lol. and as i have tried to learn the stuff.. how to come close to something that approaches EITHER..has been so interesting and fun..challenging ..idk.. theres days i feel like i lean one way and then next i can hear the other way in my head. 

 

I think a lot depends on the tune (another reason I want to 'hear' how others play tunes) - a great groove will win me over! 

I know you don't want to spend time analyzing grooves, but I'm seriously interest in what you notice!

Searched out a little about drum grooves as I go along - don't have much time to do it, though.  Have watched a few videos from Jeff Randall's YT Channel, like this one - he makes some good points, I think.

 

 

Been working to get grooves to stand out more on fast tunes - with clearer articulation, cleaner dynamics & pushing timing, but I have to know a tune well enough to play smoothly before it can all come together. 

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ABitRusty
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ELCBK said

ABitRusty said

Theres many muscians I like and when i listen to each play the same tune..its wow.  each has their feel or groove.  neither is wrong or right to me... just great.   best i can describe is one will have a feel that naturally has that down tap on the floor as music plays and your body just feels in sync with groove..its the pull of gravity and a kind of sinking in the floor and releasing you to the next swell or pulse in the tune.  its kinda mesmorizing.

the other has a feel like as you raise your foot in the air with the music theres some air pushing you up. and forward momentum.  kinda like a lean.  its kind of a floaty or loopy style.  you land with the groove but its almost like on your toes and then that air pushes you up and with the next pulse.

these are descriptions my own that probably do better to confuse than explain what i hear/feel..both styles of playing are great and have their own groove and its hard to put finger on what it is... but each has IT.. lol. and as i have tried to learn the stuff.. how to come close to something that approaches EITHER..has been so interesting and fun..challenging ..idk.. theres days i feel like i lean one way and then next i can hear the other way in my head. 

 

I think a lot depends on the tune (another reason I want to 'hear' how others play tunes) - a great groove will win me over! 

I know you don't want to spend time analyzing grooves, but I'm seriously interest in what you notice!

Searched out a little about drum grooves as I go along - don't have much time to do it, though.  Have watched a few videos from Jeff Randall's YT Channel, like this one - he makes some good points, I think.

 

 

Been working to get grooves to stand out more on fast tunes - with clearer articulation, cleaner dynamics & pushing timing, but I have to know a tune well enough to play smoothly before it can all come together. 

 

  

im glad you finally started watching the drummer youtubes and listening to drum grooves.  i know for a while there i was saying... check out the drummer channels 😀 .   cant remember what it was you were searching for then but it looks like youve embraced it!!

EDIT***

@elcbk said...I know you don't want to spend time analyzing grooves

gosh..i thought why i started this topic.  and we spent alot of around post 10 on freemont bypass.  i just figured the video was shared because he said not to rely on a metronome.  i think ive pretty well made a case for listening to tunes to get the feel of them and to get the melodies.   to use drum tracks.. recorded music..metronomes..nothing new there.  been talking about how i use them a while now.  and mainly when its been relevant to whatever the current conversation is.  

besides checking and keeping time..i think listening yo a click helps listen to something other than the music in your head.  one downside ive found about listening to someone elses recording of a tune is that i hear that WAY of playing it when that way of playing it wont fit my situation.  like a session.  thats why im using the metronome more.  its a click and i have to listen.  its external to myself.  and that is a skill needed when playing in one.  but i still want to sound and have my music feel like great players so i listen to and still play to their music too.  doing one doesnt negate doing the other and one should do them all for various reasons st different stages.  

one thing to try with a click track or drum track is to play along with it and drop it out from time to time while your playing.. see if when it comes back in if youre still in sync.. learned that exercise on a guitar site

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ELCBK
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@ABitRusty -

...got the feeling you've had enough analyzing for a while & I didn't want to push it. 

Yep, YOU started me on ALL THIS - over 3 years ago! 🥰 

When I started playing I didn't even know what a 'High Hat' was, or any idea how it could relate to playing violin! 🤣  AND, I remember thinking, "how am I going to get my hands to work independently on this instrument?"  I've had a lot to take in over the past few years! 

 

I had fun relating violin learning/playing to what Jeff felt was important for drummers.

1.) LOVE that Jeff made a big deal about putting the time in to learn/practice techniques - to make them feel effortless.  ...can't ever seem to have enough in my toolbox. 

2.) LOVE Jeff talks about the importance of learning the Blues shuffle.  I think learning to bow different shuffle patterns on the fiddle is also a great way to internalize swing & syncopation.

3.) Jeff only cautioned against becoming mindlessly dependant on a metronome - LOVE he suggested challenging exercises using it.  Got to thinking about what drummers use for metronomes - found some with a crazy number of rhythm & beat patterns, but some had terrible sounds!

4.) LOVE he relates 'Feel' to flexibility in changing between 2 to 3 subdivisions.  I've become much better at noticing this (especially this past year), but I need to find more ways to practice putting it to good use... switching up shuffles is one. 

5.) Lastly, really LOVE he doesn't sugar-coat the importance of SPENDING YEARS LISTENING & ANALYZING what great musicians do.  I'm so grateful that computers & the internet have made it easier!

 

I've taken away some good tips about dynamics & syncopation from a few of Jeff's other videos, but the thing that gets me... ALL the grooves I like are LOPSIDED (that's the best way I can describe it) - and I really want to express that in my playing.  I do want to become more flexible in using different bowing shuffles, but high speed reels leave little time to work - I end up more concerned with micro-second decisions in dynamics & articulations.

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I have the "Bridged" melody all memorized & playing real smooth at 1.25 speed of my 'half' speed example (post#53) - on my way up to 2.0, which is close to the original tempo played by Damian McKee on his Moyola Cottage CD. 

So, it's NO problem (& sounds great) playing along with the 70 BPM Funk drum groove (post#55)... but speeding up the drum loop starts to become problematic - that great groove feeling is LOST as it gets to where I only hear the most accented beats.  Luckily, I have the groove internalized - but that particular drum loop becomes useless (to me). 

🤔... got to thinking about what I could use for a percussion groove that wouldn't sound like a metronome, still give me something to target - but would add more interest to a fast moving melody.  I'm NOT taking up drums, but I do want to add percussive elements to what I play - have talked about ways with the bow and/or electronic aids, in other threads.  Hearing what drummers do does give me ideas.

Not sure exactly why I'm loving parts of this "Polyphia O.D. [Isolated Drums]" - definitely love how it changes throughout the track.  

 

Anyway, in trying to see fast tempo as a defining factor for feeling certain grooves - at what point (tempo) does syncopation start to be a better choice than swing?  110 BPM, 120 BPM, 135BPM?  ...just exploring. 

 

The IMPOSSIBLE Drumming of Sleep Token - the idea of taking what you like from different genres & using it creatively! 

 

...'accent stacking', dynamics, time 'warping'. 😍 

 

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