Welcome to our forum. A Message To Our New and Prospective Members . Check out our Forum Rules. Lets keep this forum an enjoyable place to visit.
Private messaging is working again.
Log In
Register
Home
Topic RSS
(0 votes) 
Member
Offline
Hi all!
I've been having problems with my fourth finger lately and would like some help...
Basically, my pinky is always locking up at the base knuckle when I try to put it down. I read somewhere that this happens when your left hand squeezes. But for me, even with no squeezing at all, it just snaps forward at the base knuckle with the slightest movement and I can't control where it lands on the string.
The only way I can control it is to completely straighten my wrist (it is normally comfortably arched, but not so much that it's touching the neck of the violin), aim and land a little bit farther than normal, and then slide it back so that it's at the correct spot on the string. When it's on the string, my wrist automatically goes back to its normal arched position. This works but it's not a solution because there's no way to play fast like this.
I know that the fingers are supposed to hover over the fingerboard, but I just can't do this with my pinky because it locks up, and it's only at the darn base knuckle... Is this because my pinky is weak?
Any advice? 
(Merry Christmas by the way 
)
Offline
Hey Meowch and welcome to the forum.
You should actually keep your wrist straight so if there is any way you can get used to playing with a straighter wrist, that would be great.
Do you play with the tips of your fingers or the flat of them? Does it make a difference in the joint locking whether or not you use the tip? How far under the violin do you bring your elbow? Does it help if you bring your elbow under just slightly more than usual?
"The richest person is not the one who has the most,
but the one who needs the least."
Advanced member
Offline
Schradieck has written some violin books that are full of exercises that strengthen all the fingers including the fourth. You might google Schradieck or just enter the name into amazon search. I am currently using exercises from Schradieck to improve my finger dexterity and intonation. They work, at least for me!
Regulars
Offline
Also, the first Sevcik book helps strengthen all the fingers (even better than arm-wrestling with Fiddlerman after 3 Red Bulls!) 
Seriously, they are good exercises, and get straight to the point right away, on the first exercise and all exercises thereafter.
Can be got here :
http://www.el-atril.com/partit....._Book1.pdf
Mr Jim
Offline
Of course strengthening the 4th finger is fantastic but some people have bad double jointness which requires extra great technique to overcome.
"The richest person is not the one who has the most,
but the one who needs the least."
Member
Offline
Thank you everyone for your reply, and thank you for that link, Worldfiddler!
Actually, I made a mistake. My wrist is already straight, but in order to reach the string with my fourth finger in a controlled manner comfortably, I have to extend my wrist back so that my hand is pointing straight down. I heard this causes all sorts of problems like carpel tunnel so I'm concerned about it...
The best I can do right now is keep my wrist straight, but extend it back a little to plop my fourth finger down, and then make it go back to being straight. Extending my wrist back a bit allows me to control where on the string I put my fourth finger down, but I want to know if this is a viable option or if it will likely cause me wrist problems in the future.
I normally play on the tips of my fingers, but the problem is the same when I play on the flat of them. I also bring my elbow under the violin a fair amount, but no matter how much farther I bring it, I have to extend my wrist back a bit to control my pinky. It doesn't help that I have a short pinky...
I guess I'll experiment some more... Thanks so much!! 
Regular advisor
Regulars
Offline
I'm curious about the dimensions of your hand, I used to have a similar problem with some of my joints when I was a bit younger, but it seems to have gone away now that I've fully grown.
Offline
Could you take pictures or have someone else do it for you. I would like to see how you have your hand when you have the most "control" over your pinky as you say.
"The richest person is not the one who has the most,
but the one who needs the least."
I think it's important to keep the pinky finger bent rather than straight. The reason for that is when playing note's on the D and G string's, to be able to cross over the E and A string's without touching them, therefore try keeping the pinky finger bent. Keeping it bent give's added strength when pressing down on the string's. I think that way your first knuckle may not interfer.
As far as the bent wrist, I'm guilty of that myself. Speed is fine in first position, but when I play 3rd and 4th position, the speed slow's conciderably. I don't use a shoulder rest, maybe I should, perhap's that would improve my vibrato too.
Check out the fingering on the Fiddlerman tutorial's. Notice how his pinky finger is bent over the string's.
Member
Offline
I made two videos which hopefully make my problem clearer.
In them, I first demonstrate how I normally put down my 4th finger (I have to extend my wrist back to make it land where I want on the string). Then I try to do this while keeping my wrist straight - and as you see, my knuckle keeps collapsing and I can't seem to do it. I can't curve it because it just automatically snaps at the knuckle joint.
I'm sure I'm doing something basic wrong here. Maybe I'm not holding the violin correctly. I've tried all sorts of angles and played with bringing my elbow under more, but the problem persists.
http://www.youtube.com/watch?v.....g&
http://www.youtube.com/watch?v.....8&
In your video, you should probably include playing some note's rather than a dry run. Thing's are different when you actually put your finger's to work.
THe way I understood what you were saying in your original post, I thought that what you meant by a bent wrist is that your wrist was bent just the opposite of what show's in the video, with the palm of your hand laying flat on the underside of the neck.
A musical demo would be a bit easier to see what your problem may be. Looking several time's at the second video, it doesn't appear to me that you have a double jointed pinky, it does look like your pinky finger is snapping and locking in at the base of your finger, where it meet's your hand. That's what it look's to me.
Perhap's a wrist brace could be worn until you learn to control your wrist and the muscle's stiffen more.
Just my thought's.
Offline
OK,
From what I can see, your knuckle locks up when you bring it too high right?
I would like you to practice having the pinky in the right position with a perfect curve and lifting it only like a quarter inch above the fingerboard (straight wrist when doing this) and back down again. Over and over slowly at first. Perhaps do it for like 5 minutes at a time.
Eventually I want you to pick up the speed so that you are coming close to a trill tempo. Keep all other fingers down too. IOW, play 3, 4, 3, 4 over and over and start on the E string.
"The richest person is not the one who has the most,
but the one who needs the least."
Regulars
Offline
I had damage to my hand when I was younger and have a slightly similar problem on my thumb.
Try and relax your hand before you play. Your finger looks tense and stiff before it "snaps" back. You need to flex your knuckle more. Try this....
Let your hand drop to your side and wiggle your whole arm, shoulder and hand. Slowly make a soft fist slowly several times. Let your fingers roll up as it forms each time. Do not tense it or make it tight. Keeping the soft fist, raise it to the neck of the violin and let it open and allow the neck to slide in. with same pressure, see if you can finger from D string all 4 fingers then A string. Relax your hand again and do again until you can keep your hand relaxed.
Keep your little finger knuckle arced like it is in the soft fist shape while you play. It took me weeks to train my thumb to not snap grip across the G string. Each time i faultered I just did the relax fist and moved it back up. That was about 6 months ago. Since then, I've moved up from being "unable to play" to "down right horrible". But there's hope, soon I should move up into the "OMG What the hell is that noise" level of play. 
Keep practicing. you'll find a way that works. There's allot of support here and as long as you make the effort, people will appreciate whatever skill level you reach.
"I find your lack of Fiddle, disturbing" - Darth Vader
Member
Offline
Thank you for your input, everyone!
Fiddlestix, I don't have anyone who can record me playing the notes, but I'll see if I can make a video of that somehow. Thanks for the encouragement and tips Tyberius! I'll give them a try as I grapple with this. 
Fiddlerman, I am trying your advice, but I can't seem to curve my pinky. It locks up, high and low. The most I can manage is raising the first joint with the rest of my pinky straight. Basically it looks like this:
When I attempt to curve it, it snaps and locks up. It's like it has a mind of its own.
I know that this is a picture of a common problem, but is it normal for the base joint to snap and lock at the slightest movement?!
I never injured my hand. My right pinky is the same. I looked at my brother's hands too, and his pinky behaves the same way. I guess our hands are just not made for the violin.
But I'm going to keep trying. I'll let you know if I succeed. If I can do it just once, that will give me some hope!
Member
Offline
Ok! Sorry for the double-post, but I think I kind of did it! I see the beginnings of what could be a beautiful curved pinky. 
I am going to work on this for the next couple of weeks, and take it easy since this stresses my hand quite a bit. Thank you so much for all your help, Fiddlerman and everyone else who posted!
Regulars
Offline
Very nice!! Don't give up and keep moving forward. post back with your progress.
"I find your lack of Fiddle, disturbing" - Darth Vader
Offline
Definitely, don't give up. Keep up the great fight for perfection.
"The richest person is not the one who has the most,
but the one who needs the least."
Member
Offline
Hi all!
My practice is going well - I have definitely improved and am excited about further progress. I have another question though.
I've noticed that in order to have my pinky curved, I have to bring my thumb under the neck of the violin, and more importantly my arm under the violin much more than I ever thought. Like, a ridiculous amount! It doesn't hurt, it just feels awkward and I wonder if it's too much. When I look at other violinists play, their elbow is usually just hanging down. But I have to bring mine as far to the right as possible. It looks and feels silly...
Do you know of any other violinist that plays with their left elbow all the way to the right? I mean, I don't need to have it that way all the time, but if I want a nice, curvy fourth, I have to switch to that position no matter what string I'm on (maybe not the e string). Is this normal? Or is it a sign I'm doing something wrong?
Thanks again
Offline
Ideal would be directly under (vertical). Not too much to the right only because you can get some bad tension problems later down the road. Playing wise there isn't that much wrong with coming up under the violin with your elbow. Finger angles are better that way.
"The richest person is not the one who has the most,
but the one who needs the least."
1 Guest(s)
Mouse
ELCBK
Jols
Strabo
Fiddlerman
