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How do you think about pitches when you play?
Topic Rating: 5 Topic Rating: 5 Topic Rating: 5 Topic Rating: 5 Topic Rating: 5 Topic Rating: 5 (6 votes) 
Russia, Tatarstan rep. Kazan city

December 22, 2012 - 4:56 pm
Member Since: October 7, 2011
Forum Posts: 2849
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I'll describe only thoughts when play by ear, because it's mostly required:

RosinedUp said
Here are some possibilities that come to mind for me:

* Most obvious: the fingering of the note.

Yep, but only after the next question:

* What the note is going to sound like.


* An image of the letter name of the note---do you see a letter in your mind?


* The sound of the letter name---that is, do you say the name of the note in your mind or even aloud?

Never (i have a big NO PERFECT PITCH)

* Even though you are not reading from sheet music: an image of the note's position on the staff.

Only if i want to wright it down. Which is reeeeaaaly seldom. I find the sound first - then i figure out what note is it.

* The representation of the note in other notation, such as ABC or tablature.


* The interval between the current note and the next note.

Yes. If You mean difference of pitches - so i could figure out how far i should go to get the next note. And No - if You mean the fixed interval like 3rd..4th..5th.. octave.. etc.

* The interval between the tonic and the next note.

Definitelly - no! =)

Can you mention things that I have not thought of?

Usually when i play something by ear - i just need the first tone, then it goes by itself.. I didn't think about how to.. But i definitelly don't use any scientific background for itdunno It needs some time for me to learn the tune by ear, but it's easier than learning from the sheet music. If i doubt in a part i should play (when there several parts sound with equal volume) - i cheat and just play what fits in LOL!rofl

About improvising: i can't improvise, until i'm familiar with the tune. I guess right here could be really useful knowledge about scales, note identification (perfect pitch), intervals. But my brain doesn't work that way. facepalm

Do you think of different things at different times?

Yes. Intonation, dynamics, vibrato, next note, shifting to the next note, analysing what was just played and how, what to fix. Though mostly it's a combination of several of those at the same timeduncecap

Honorary tenured advisor

December 22, 2012 - 6:43 pm
Member Since: September 7, 2012
Forum Posts: 985
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@Naska:  Thank you for a great detailed answer.  You taught me.

Now do you remember when I taught you "Thank you kindly" when you posted the sheet for Baklanova's Romance?

I saw that you liked it, and promised to teach you another form of "thank you" some time.

Well, it's not much, and it comes with no warranty, expressed or implied, but here goes:

Much obliged, ma'am.


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