Check out the 2021 Fiddlerman “White Christmas” Group Project.
Is it normal that you have to stop the E-string higher than on the rest of the strings?
For example, using the 4th finger in 1st position, you can play A on the D-string, and, stopping the A-string at the same distance (from the nut), you'd play E. When I do the same on the E-string, it should play B. However, when I do that the E-string, the note produced is too low. (Almost exactly the middle between B and A#!)
While I've gotten used to stopping the E-string higher than the rest of the strings, this means I won't be able to do perfect fifth double stops that involves the A-string and E-string (that would require pressing both strings using the same finger, but the way my violin is, the note produced by the E-string would be too low. the difference is note is high enough that I can't fix it by simply adjusting the angle of my left hand's finger)
It's not a tuning problem, as all the strings are tuned well. But it seems the higher you go with my E-string the lower note it produces than supposed to be, as if the rate on which the note gets higher is slightly lower.
I've searched the Internet and saw someone asking a question with a problem that seems to be the same, but in his case it appears to be the string's fault being worn out. I don't think that is the case for me, as my strings are rather new and the problem seems to have existed before I last replaced the strings, though I didn't try double stops back then I think I had to stop it higher than say, on the A-string.
I also don't know if this is actually the case for all violins and if it's normal, but I personally think it's a problem.
Hmmm... interesting - returning to the original post @Verdusk - you say
Almost exactly the middle between B and A#!
From the "physics" of the situation, everything says this should not be the case (although - I'll refer to it later) there could be a marginal effect (largely un-noticable to the listener)
I'm just thinking about this, and to find a way to satisy yourself one-way or the other, and I have in mind the following experiment which "removes your fingering from the equation". Try this -
Tune your violin as precisely as possible, with the best/most accurate tuner you have, preferably one that either resolves to actual Hz, or displays steps say down to 5 or 10 cents.
Lay the violin flat on a stable, non slip surface
Get a hard-plastic biro pen
Use it to stop the A and E strings at what should be E (on A and B on the E)
Pluck the A string (until you find the E). Keep the biro pen as close to 90 degrees to the strings as you can - eyeballing it will be sufficient.
Pluck the E string - what does the tuner say ?
If it is not within a few cents of B - sure - something strange is going on !
---- I referred to this earlier - the "physics" - on my acoustic guitar the bridge / saddle is tilted, making the low E longer than the top E. (It is also the same on my electric guitar where there are individual adjusters for each string in the saddle) This is because heavier strings require to be slightly longer than lighter strings - for a number of subtle reasons I won't go into. So yes - there are marginal differences, but surely nothing like half a semi-tone.
I would definitely try the little experiment I suggested..... Try it and let us know- there are a number of other potential "contributors" to the effect - like very subtle things - such as how the string curves over the nut, how high the "action is", the material of the E-string (often different, or even, by choice a string from a different manufacturer) to mention but three. The other thing to keep in mind is that intonation (by a player) is rarely perfect - it can be darned close - but rarely perfect - although a 50 cent error as you describe is certainly going to be heard by the listener.
Keep us advised !
I seriously recommend not copying my mistakes. D'oh -
Please make your own, different mistakes, and help us all learn :-)